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Buyer’s Guides

Digitally Steerable Arrays

Digitally Steerable Arrays ("DSA") are a relatively new type of loudspeaker system that are not only self-powered, but also employ individual processing for each transducer to control the coverage of the entire array. Using advanced, but well-known techniques of gain-, delay- and frequency-shading, the polar response of an array of transducers can be steered differently than it would behave passively. Steve "Woody" LaCerra discussed DSAs at length in last month's issue.

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Portable Power Distros

To download a PDF of the FOH May 2011 Buyers Guide, CLICK HERE.

 

Doing it "your way" is almost always an admirable trait, and it's one that enables a lot of people in the pro audio industry to get a foothold in the business and to get ahead. But there are other times when a compelling case for the division of labor makes sense – such as portable power distribution.

 

 

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Digital Snakes

To download the Nov. 2010 Buyers Guide, CLICK HERE .

 

How quickly things change. What once looked like a very defined market segment has kind of shattered. The best way to describe things now is more like "digital signal transfer."  

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Volunteer-Friendly Consoles

To download a PDF of the the August 2010 FOH Buyers Guide, CLICK HERE .

 

Okay, this is called opening a can o' squiggly worms. The Buyers' Guide is on "volunteer friendly" (as in House of Worship volunteers) consoles. As a designation like that is highly subjective, we asked console makers to give us specs on consoles they think fit the bill and then to make the case for volunteer friendliness.  

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Plug-Ins

Up until about a year ago, plug-ins were pretty much to domain of those using digital consoles and, more specifically, the Avid VENUE series. All of the console companies had their own plugs that came with the console, but the Profile was the one that really opened the door by allowing the use of any Pro Tools-ready plug-in live.

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iPhone Apps

Studio Six Digital SPL meter

I was out on a gig a couple of months ago and one of my favorite people in this business, Buford Jones, was on the same gig. Somehow as we were talking it came out that we both have the SoundMeter app from Faber Acoustical on our iPhones. We began comparing notes, agreed that we both liked it. He asked if mine was calibrated, and I said "sorta," explaining that I went to a show and just jacked around with the settings until it was reacting consistently within a couple of dB of the "real" meter sitting a few feet away on the console. I asked how he has calibrated his, and he told me he used MAPP and the anechoic chamber at Meyer Sound. So I'm guessing his is a bit more accurate.

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