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South Beach Pinkroom Equipped with Loudspeakers in X-Fashioned Configuration

Howard Page: Keeping it All in Balance

Sting system engineer Markus Meyer, left, and FOH engineer Howard Page, right.

When it comes to the world of live performance audio – be it from a perspective on production, mixing and even system and console design – Howard Page is one of "the guys." To say he has an impressive résumé is such an understatement that it is actually laughable. When A-list mixers including guys like Cubby Colby invoke your name as one of the people they really learned something from, then you know your legacy is pretty much assured.

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Mixing the Modfather

FOH engineer Ange Jones and the Midas XL4 he used at The Royal Albert Hall.

FOH Engineer Ange Jones Supports Paul Weller's Return to The Royal Albert Hall

 

In May, Paul Weller returned to London's Royal Albert Hall to play five dates promoting his new album, Wake Up The Nation.

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In His Own Words: Rob Cubby Colby

"Whether it's speakers on a stick or flying a PA, the only difference is the size of your toolbox."

Rob "Cubby" Colby is known to most as a world-class engineer whose career spans nearly four decades. His résumé covers many genres and reads like a Who's Who of artists, from the early days of Prince and Phil Collins to the artist he's currently touring with, Juanes. But this article isn't about microphones or mixing techniques. It's about Cubby and how he's endured and adjusted throughout the years…in his own words.

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South Florida Community College Gets World-Class Sounding PAC

The $12.5 million overhaul included completely reconfigured seating areas, new orchestra pit, backstage, lobbies and a dramatically different portico out front — and the new audio system was definitely not an afterthought.

"This is a state-of-the-art facility with features you would normally only find in a building that was built from the ground up," Brad Garven says. "It was an unusual renovation."

 

Make that an extensive renovation.

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AKG DMS 700 Digital Wireless

AKG DHT 700 digital handheld transmitter, DSR 700 digital receiver and DPT 700 digital bodypack transmitter.

Once again, I find myself running late on the review, which undoubtedly makes someone pissed off at me. And as with most of the reviews I procrastinate on, I wish that I had done it sooner, because I usually find myself pleasantly surprised. This go-around, my victim is AKG's DMS 700 Digital Wireless RF system, using AKG's DSR 700 digital receiver.

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Allen & Heath iLive T-Series

The T-Series is the latest addition to the growing iLive family of digital consoles. Within the T-Series family, there are two different control surfaces, the T-80 and the T112. Both control surfaces are accompanied by two different MixRacks named the iDR-32 and iDR-48. The system that I was sent to review was the T112 surface with the iDR-48 MixRack.

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Plug-Ins

Up until about a year ago, plug-ins were pretty much to domain of those using digital consoles and, more specifically, the Avid VENUE series. All of the console companies had their own plugs that came with the console, but the Profile was the one that really opened the door by allowing the use of any Pro Tools-ready plug-in live.

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Word Clock: Part Science, Part Voodoo

In his April FOH Theory and Practice, Brian Klijanowicz discussed the concept of word clock. If you missed class that day, here is a brief recap: Every digital device employs an internal word clock circuit as a timing mechanism. Word clock determines sample rate, and its accuracy is paramount to audio quality.

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