BURNSVILLE, MN — Jay Easley has been named manager of Midas and Klark Teknik for the Americas. Part of the Pro Audio team at Bosch Communications Systems (formerly Telex Communications) for nine years, Easley most recently served as director of live sound for the Bosch Communications Systems family of Pro Audio brands, including Dynacord, Electro-Voice, Klark Teknik, and Midas.
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CUMMING, GA — First Redeemer Church has recently completed several technical upgrades to the audio system initiated by its creative arts director, Christian music producer and vocalist Eulises Canada. Among other changes, the chuch has replaced its wireless microphone systems with Sennheiser ew 165 G2 handheld microphone and ew 112 G2 lavalier transmitter/receiver systems.
Read More »WOODINVILLE, WA — LOUD Technologies Inc. said it would voluntarily delist its common stock from NASDAQ and end its registration as a public company. The company, which makes brands including Alvarez, Ampeg, Crate, EAW, Mackie, Martin Audio and TAPCO, said the cost of being on NASDAQ and remaining public outweighed the benefits.
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ANAHEIM, CA — Waves Audio announces the formation of the Waves Live Division, a dedicated branch addressing the current and future needs of the live sound market sector, focusing on the needs of FOH, monitor and live sound/recording engineers. Along with a live division Web site (www.waveslive.com), the company is releasing its D-Show Enabler, making over 50 Waves TDM plug-ins compatible for the live environment.
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GREENSBURG, IN — Honda spent $550 million and most of 2007 and 2008 building its factory here, but stopped the assembly lines for only one hour to celebrate the first Honda Civic GX rolling off the line. Indianapolis-based Indy Pro Audio Production Service Inc. provided the audio system along with the set, rolling stage, video and lighting for the media event.
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GRENOBLE, France — Digigram named Hervé Odini international sales director. Odini will be responsible for all three of Digigram’s international sales offices: Grenoble, which handles the EMEA region; Singapore, for Asia and the Pacific; and Arlington, Va., for the Americas. He will also head up the field marketing department based at company headquarters in Montbonnot, France.
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As I was preparing for this interview, I had an interesting talk with someone in the biz who shall remain unnamed. The gist was this: Is being a great mixer a prerequisite to having a client list consisting of acts known for sounding great live? Or does having such a client list give one an automatic aura of “Well, he must be a great mixer?”
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Performance Audio’s Craig Hylton admits with a laugh that he has spent more time watching the Utah Jazz in person this season than he has in recent memory. It helps that Hylton is both a basketball fan and that he can call his appearances at EnergySolutions Arena in Salt Lake City a work gig. “The team had a rough start,” he says, “but it’s fun to go to the games. I’m still learning what their needs are and how to tune the system.”
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Updated system puts sound on par with lights at Stone Mountain.
While theme parks and historic sites are both known for attracting tourists and locals alike, it isn’t often that you find them coexisting in one location. But with miniature golf, paddleboats, a skyride and other attractions centered on the world’s largest piece of exposed granite, Georgia’s Stone Mountain Park is equal parts kitschy fun and ode to Southern history.
Read More »To download a PDF of the Jan. 2009 FOH Buyers Guide chart, CLICK HERE
OK, you’re not going to do a Madonna show with one of these. In fact, you will be hard pressed—given the channel count on most of them—to do anything bigger than a five piece. But that is not the point. The point is that these small boards allow you to easily mix the show and record it without any extra gear. Some of them actually will work well in a small studio, which means you can use it to record during the week and pack it up on the weekend for gigs—and record the gigs as well with just the console and a laptop.
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Usually when I do a Road Test, the manufacturer ships the gear to me, I read the manuals, play with it a bit and take it out on a gig. With the KS Audio gear, the review process took on a slightly different scenario. I first got a call from my friend and editor Bill Evans, but instead of waiting for the gear, I was invited to a record release party where the KS Audio CPA self-powered compact line array was being used. Henry Strange (system engineer for KS Audio) and his crew had set up the line array and subs. I showed up a couple of hours before the show to check it out.
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So, an affordable cardioid dynamic microphone with a step-up transformer that will give me all the benefits of a dynamic handheld, while delivering the detail and frequency range benefits of a condenser? We’ll see. A rugged offering from a well-respected name in professional audio that is tough enough to withstand the rigors of the road while equally adept and worthy in the best of studios? All while priced under $240? Let’s just say I had my doubts.
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