New Year’s (Audio) Resolutions
January 5, 2025
Welcome to 2025! At FRONT of HOUSE, we’re off to a good start.
Welcome to 2025! At FRONT of HOUSE, we’re off to a good start.
When four legendary musicians (Adrian Belew, Tony Levin, Steve Vai and Danny Carey) get together to focus on King Crimson classics, it’s going to be special. Steve Jennings checks in with the audio crew.
We take a detailed look into Clair Global’s audio system and crew for one of the year’s hottest (and most successful) tours.
Kevin M. Mitchell chats with 2025 Parnelli Lifetime Achievement award recipient / production manager extraordinaire Malcolm Weldon. His long client list includes Aerosmith, Beyoncé, the Eagles, Prince, Tina Turner, Cher, Mariah Carey, Whitney Houston, Bette Midler, Janet Jackson, Eric Church and Pink.
One of the hottest trends in upgrades and new construction, FRONT of HOUSE visits some state-of-the-art examples that present sound beyond the barrier of stereo L/R.
David Kennedy and Michael Garrison reflect on the current state of immersive installs with input from a bevy of experts from different companies in the field.
This leading pro and M.I. speaker supplier kicks off its second century in 2025 and we delve into the past, present and future of this amazing company.
Fueled by the music of the Avett Brothers, this recent Broadway show tells the tale of a young man who seeks adventure whaling on the high seas. Bryan Reesman talks to Tony-winning sound designer John Shivers about the project.
Sometimes, you gotta go first class, and custom-fitted earpieces are the first choice among artists and engineers. We present the hottest entries in the market.
The sound of Mojave Audio’s popular MA-D dynamic mic is now also offered as an interchangeable 1.25” screw-mount capsule. FRONT of HOUSE is first to put it to the test.
Steve M. Savanyu checks out this active 18” 4,000-watt sub, which — beyond massive LF output — features onboard DSP and compatibility with QSC’s SysNav control and Q-Sys Designer applications for remote design, discovery, control, monitoring and more.
We’ve all heard the terms dB(A) and dB(C) attached to SPL measurements, but do you really understand the difference between the various sound level weighting curves? Steve La Cerra offers some answers.
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