Pentatonix Tours with L-Acoustics K2 System
Sound Image carries L-Acoustics K2 System rig on Pentatonix’s sold-out North American tour.
Read More »Pentatonix Tours with L-Acoustics K2 System
Fishman Names Brad Townsend To Head Global Retail Sales
ANDOVER, MA – Fishman is pleased to announce that Brad Townsend has been appointed as Vice President of Global Retail Sales. A longtime industry veteran, Townsend will be in charge of Fishman’s domestic and international retail sales.
Read More »
Wyoming’s Studio City Mesa Gains Competitive Edge with Meyer Sound
To outshine its competition with the most impeccable movie experience in Wyoming, Studio City Mesa in Casper has made technology the centerpiece of its beloved roadhouse theatre, the Cooper Auditorium. The theatre now boasts a 7.1 Meyer Sound cinema system, 4K projection, and a curved, 64-foot, premium large-format (PLF) screen which is the state’s largest.
Read More »
Sensaphonics Gold Circle Audiologists Return for Music Industry Audiology Seminars
Six Gold Circle audiologists return to Sensaphonics for one-day Refresher Seminar while four new members join the team.
Read More »
Ashly Audio Supplies Amps and Processors for New York State Department of Labor
An audio upgrade to New York State’s Department of Labor includes Ashly ne-Series digital matrix processors and amplifiers with Protea digital processing.
Read More »
Large-Format Line Arrays
The really big jobs, such as stadiums, arenas, festivals and other installs, require sizeable systems, and we offer this look at a selection of large-format line arrays, here defined as systems with dual 12-inch (or larger) woofers.
To download a PDF of the FRONT of HOUSE May 2015 Buyers Guide, CLICK HERE
Read More »
Sports Facility Projects
There’s no doubt that audio installations and upgrades within large sports facilities typically present integrators and sound designers with severe challenges. Perhaps by far the most formidable is the sheer scale of multiple coverage areas. The latter not only entails the enormous, cavernous open-air spaces, but also delivering an acceptable listening experience to everyone occupying in the seats, whether fans are courtside or in the upper “nosebleed” seats of an arena or — in a stadium project — on the grandstand, bleachers, end-zones or beneath the second/third deck.
Read More »
