NASHVILLE, TN — Judson Baptist Church upgraded with Allen & Heath’s GLD Series console for the church’s main sanctuary. Nathan McClendon, the church’s Director of Media, cited channel count as a key factor behind the decision to go from analog to digital.
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CHULA VISTA, CA — Due to popular demand, noted sound engineers Michael Apodaca and Rick Camp will return to present another day of demos and presentations on K-Array’s new, slim design, steerable Firenze KH8 touring system speakers at the Sleep Train Amphitheater in Chula Vista, CA (just south of San Diego), on May 19, 2015. Presented by NextGenAudio and open to any live sound industry pros, the free event will offer attendees the opportunity to experience the system and other gear in a large venue environment.
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Sound Image carries L-Acoustics K2 System rig on Pentatonix’s sold-out North American tour.
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ANDOVER, MA – Fishman is pleased to announce that Brad Townsend has been appointed as Vice President of Global Retail Sales. A longtime industry veteran, Townsend will be in charge of Fishman’s domestic and international retail sales.
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To outshine its competition with the most impeccable movie experience in Wyoming, Studio City Mesa in Casper has made technology the centerpiece of its beloved roadhouse theatre, the Cooper Auditorium. The theatre now boasts a 7.1 Meyer Sound cinema system, 4K projection, and a curved, 64-foot, premium large-format (PLF) screen which is the state’s largest.
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Six Gold Circle audiologists return to Sensaphonics for one-day Refresher Seminar while four new members join the team.
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An audio upgrade to New York State’s Department of Labor includes Ashly ne-Series digital matrix processors and amplifiers with Protea digital processing.
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The really big jobs, such as stadiums, arenas, festivals and other installs, require sizeable systems, and we offer this look at a selection of large-format line arrays, here defined as systems with dual 12-inch (or larger) woofers.
To download a PDF of the FRONT of HOUSE May 2015 Buyers Guide, CLICK HERE
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There’s no doubt that audio installations and upgrades within large sports facilities typically present integrators and sound designers with severe challenges. Perhaps by far the most formidable is the sheer scale of multiple coverage areas. The latter not only entails the enormous, cavernous open-air spaces, but also delivering an acceptable listening experience to everyone occupying in the seats, whether fans are courtside or in the upper “nosebleed” seats of an arena or — in a stadium project — on the grandstand, bleachers, end-zones or beneath the second/third deck.
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