I am going to flirt with disaster and show the licensed and unlicensed electricians/sound persons the basics of tapping feeder wires into venue switch boxes and subpanels. Those of you who do not have a professional license can at least understand what is happening, and what could happen if done incorrectly. So, if you think your ego trumps your unlicensed status, I want you to thoroughly understand people could die (including yourself), if done incorrectly.
Read More »As I sit here writing this piece, it occurs to me that I really should be writing an article like this prior to the holiday onslaught. By the time you read this it will be spring and most of us will be looking forward to the busy summer season. But it wasn’t until this past Christmas/Hanukkah season that I had the types of experiences I will be sharing with you here.
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When I first heard that QSC was going to offer a “low cost” audio power amplifier, my first instinct was how much lower from the RMX models could they go? Then they mentioned that they will adopt the new PLX2 cosmetics and limit the recommended load impedance to 4-ohms and up, and a “great idea” light bulb lit up in my head. And when QSC management said the amplifier would suit MI users and “oldsters” like me, I knew something good was afoot.
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As the use of personal monitoring systems has become more common, we have watched the price of earpieces come down substantially. You can get universal-fit models that rival the sound quality of customs that once cost more than a grand and can even find some custom fits for about ¼ of what was once the “standard” cost. While that has been happening with the earpiece side, the wireless transmitter/receiver part of the equation has remained pretty resistant to price reductions. Yeah, there have been some downmarket models introduced, but even those are fairly pricey and the “rider-able” ones remain in the “more than a grand per” category.
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Ed Spoto made the big leap from touring life launching a live sound biz with a booming concert segment.
Ed Spoto laughs at the question of whether or not he misses the touring life. “Not one bit,” he says with a hint of laughter. “I am one of the few people who does not miss the road. I spent 10 years of hard touring and it was time to come home, have children and all that.”
While Spoto got off the road, he did not get out of the audio business. In fact, along with two partners — Stewart Bennett and Robin Magruder — Spoto has been running Dallas-based Crossroads Audio since 2001. The trio purchased the company, which had been open since 1972, after leaving Showco where they had earned their stripes. Bennett is the only one still out on the road, touring with Tom Petty whenever he goes out.
Spoto admits that they’ve retooled the company over the years and Crossroads Audio now includes a retail outlet, concert services department and rental division. Why all three? “It helps smooth out all the lumps,” Spoto answers. “When the concert department is a little slow then we have the retail department to make up for that.”
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(One of my favorite funny/smart people is Dennis Miller, and I remember I used to watch his show no matter who was on just to hear “The Rant.” Well, Dennis is busy doing game shows and I haven’t heard a good rant in way too long. So, welcome to the FOH Rant Zone. Will this feature run all the time? Nope. But as often as we get really good rants, we’ll run ‘em as long as they won’t get us sued. To open this inaugural installment, we have one of my favorite hotheads. Take it away… — ed.)
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The chart-topping country sensation boasts the largest PA system on the road.
Rascal Flatts has been on fire for a couple of years and, according to Pollstar, the band’s 2007 tour ranked in the top 10 of the year. Rascal Flatts puts on a major show and to support it, Sound Image put together what they say is the largest PA system currently on the road in the U.S., featuring 90 JBL VerTec VT4889 full-size line array loudspeakers and 32 VT4880 arrayable subwoofers and two Studer Vista 5 SR digital consoles. Sound Image is also using dbx DriveRack 4800s for speaker management and Crown I-Tech 8000 amplifiers. For the first time on a major tour, all aspects of the system are controlled through a single interface  HiQnet System Architect.
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Here is our “virtual” show coverage of Europe’s major music trade show.
By Bill Evans
The ProLight and Sound show in Munich, Germany, is one of the biggest music trade shows in the world and there is plenty of audio there. So why don’t we at FOH attend? Well, truth is that if I am going to fly to Europe, I want it to be for more than another freaking trade show. Sue me. But we get lots of announcements of stuff that was intro’d at the show, so we have put together this bit of “virtual” show coverage. Just pretend we actually went…
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This AV company calls me up for a hotel testimonial dinner… just baby-sit a small system with a couple of mics for speakers. I get there and it's an improv company with eight lavs and a couple of wireless 58s with a Mackie 16ch and no EQ whatsoever. There are two powered Mackies jammed up against the plaster walls, a tile floor and lots of glass in the walls and ceiling. I'm thinking of taking a hike, but I'm supposed to be good enough to make it work.
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The 50th Annual Grammy Awards shook up the Staples Center with a record number of performances — and challenges.
This year, the Grammy Awards hit the big 5-0. The show, at the Staples Center in downtown Los Angeles, lived up to the Recording Academy’s assertion that it would be the biggest show yet in terms of number of musical performances: 35 songs in 19 segments. Those performances required more than 450 microphones, not including what was used on the outdoor stage for the Foo Fighters’ show.
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“We need a world-class install. Oh, and you only have 18 months. Is that a problem?”
When the phone rings at IPR Services, the company’s Owner Bob Patrick expects to hear a challenge. After all, IPR has been at the helm for some of the most interesting install projects across the globe, including The Mirage in Las Vegas, Staples Center in Los Angeles and Makkah Mosque in Saudi Arabia. Still, he wasn’t quite prepared when he heard that he only had 18 months to get the design and install done for the brand new 7,100-seat Nokia Theatre L.A. Live in Los Angeles.
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Freida Olds
FOH Mixer
Trinity Chapel
Powder Springs, Ga.
Trinity Chapel.org
678.333.5485
[email protected]
Services Provided: Front of house mixer
Clients: Family Force 5, Trinity Chapel Church (12K people)
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