Audio pros may be constantly on the hunt for weird tricks and hacks that, at a stroke, make their jobs infinitely easier. But sometimes there are no easy answers, and you just have to dive in and embrace complexity. That was the case for sound designer Dan Moses Schreier, FOH mixer John Sibley and the rest of the cast and crew for Barry Manilow’s “Harmony, a New Musical” on Broadway. To read about the challenges they faced with the production, which centers on six-part vocal harmonies and a band that required two sound designs, one for when they perform offstage and another for a number during Act II when half of them roll onstage on a wagon, see our Theater Sound article in FOH’s January 2024 issue.