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DiGiCo EX-007

The DiGiCo EX-007, which networks to SD7 and SD-7T consoles, has its own power supply and its own PC, is designed to increase the number of available faders and the number of channels controllable at any one time on an SD7 — and from a distance of up to 100 meters — via a cost-effective Cat5 cable connection.

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d&b audiotechnik B4-SUB

The B4-SUB makes use of d&b audiotechnik’s patented development of a loudspeaker system with reduced rear sound radiation.  The B4-SUB enclosure houses two long excursion neodymium drivers: a 15” driver in bass-reflex design facing to the front and a 12” driver in a two chamber bandpass design radiating to the rear.

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NEXO PS R2

Yamaha Commercial Audio Systems has added the NEXO PS R2 to its NEXO PS Series of high-output, compact speakers. The PS R2 features a higher SPL, extended bandwidth and re-designed cabinetry and grilles.

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Wireworks MCAT5

MCAT5 is designed to simplify network cabling by eliminating individual cable runs; reducing the wear and tear on equipment by utilizing a sturdy multipin connector instead of the standard RJ45 connector and creating a rugged point-to-point secure connection.

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Onyx-i Series FireWire Recording Mixers from Mackie

Onyx 1640i

Onyx-i Series FireWire Recording Mixers combine the benefits of a computer interface with the hands-on control of an analog mixer. Qualified by Mackie for use with all major DAWs including Pro Tools M-Powered 8, the Onyx-i Series opens up new options for anyone interested in computer recording.

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Compact Line Arrays

To download a PDF of the October 2009 FOH Buyers Guide, CLICK HERE.

 

Line arrays—in the right hands and set up properly—provide almost unprecedented pattern control. But what if the room you are working in (say a church or a small-ish theatre) needs that kind of control but a big concert array is just too much in terms of space, SPL and money?

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Stage Research RF Guru Wireless Microphone Application

Stage Research’s RF Guru is a tool for finding the optimum combination of wireless microphone frequencies to be used at a venue and alleviate intermod (i.e., interference) problems.  It calculates based on existing microphones, area TV stations, user-entered known bad frequencies and mic data from nearby neighboring venues.

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