Once upon a time, digital snakes were regarded as “why would I need that to just replace a cable?” But with the proliferation of digital mixers and simple interfacing via fiber or Cat-5 cabling, the idea started catching on. This was helped by their ability to reduce the FOH footprint with the ease of doing signal “splits” and the convenience of locating preamps in remote-controllable stageboxes; while replacing hundreds of pounds of copper with a lightweight reel — or two, for redundancy.
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