Kick Drum Microphones
Back in the day, options for miking bass drums were few and far between. Among these were AKG’s D12 or the venerable Sennheiser MD-421. However,… Read More »Kick Drum Microphones
Read More »Back in the day, options for miking bass drums were few and far between. Among these were AKG’s D12 or the venerable Sennheiser MD-421. However,… Read More »Kick Drum Microphones
Read More »Condenser vocal microphones continue to rise in popularity, yet you can never have enough dynamic vocal mics. Rugged and dependable, most of these can also… Read More »Dynamic Handheld Vocal Microphones
Read More »Headworn microphones continue to be the standard in theater, broadcast, presentation audio and, increasingly, live performance. In checking out some top of the line headworn… Read More »Headworn Microphones
Read More »Tours and installs in arenas, stadiums and larger venues typically need long throw, high power systems, that call out the really big guns — typically in the form of. large-format line arrays, here defined as systems with dual 12- or 15-inch woofers. In such applications, systems are rarely used as simple pairs and are usually deployed in multiple box arrays, with prices determined as part of an overall system purchase (typically with subs, amps, rigging, wiring, processing, etc.) and as such, single-cabinet pricing is less meaningful and not provided. URL’s for each company are attached; contact the manufacturer for more information.
To download a PDF of the March 2016 FRONT of HOUSE Buyers Guide, CLICK HERE.
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Condenser microphones with small diaphragms (typically in the half-inch range) are an essential part of any music reproduction system. Offer fast transient response and upper-frequency… Read More »Small Diaphragm Condenser Microphones
Read More »The heart of many high-output sound reinforcement speakers is the 2-inch (exit) compression driver. Other versions of compression drivers exist — from half-inch to four-inch… Read More »Two-Inch Neodymium Compression Drivers
Read More »Bring on the revolution! Here’s a snapshot look at digital consoles capable of 24 or more channels, while having a fairly compact footprint and at… Read More »Mid-Sized Digital Consoles
Read More »As with other categories of pro audio gear, wireless systems have embraced digital technologies. And in today’s ever-crowded RF landscape, this move is ideally suited for packing more frequencies into smaller bandwidths, adding flexible control, applying security encryption or simply transmitting an unaltered digital stream. We looked at some recent offerings and found systems for nearly any application or budget. Speaking of pricing, these are omitted here as systems can vary widely depending on selections in transmitter/receiver options, mic/capsule choices and accessories. Company URLs are provided if you need more information.
Read More »Sometimes, bigger isn’t better, as anyone who has tried to park a Humvee in Manhattan can attest. In the past year, we have covered large… Read More »Mini-Size Line Array Systems
Read More »To have a great show, you need clean, dependable power, and today’s productions require plenty of it for audio, backline, video and lighting. In the days… Read More »AC Power Distro Systems
Read More »Dynamic microphones have been the standard in vocal performance mics for decades. However, if you’re looking for extended bandwidth and fast transient response in a handheld, a condenser mic is just the ticket.
To download a PDF of the FRONT of HOUSE August 2015 Buyers Guide, CLICK HERE
Over the past couple years, there has been an explosion of tablet / smartphone-based systems where musicians can control their own monitor mixes via Wi-Fi.… Read More »Personal Monitor Mixers
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