Rupert Neve Designs RMP-D8
Remote Mic Preamp with Dante Out Rupert Neve is one of the most revered names in electronic and audio equipment design. Naturally, I was excited… Read More »Rupert Neve Designs RMP-D8
Read More »Remote Mic Preamp with Dante Out Rupert Neve is one of the most revered names in electronic and audio equipment design. Naturally, I was excited… Read More »Rupert Neve Designs RMP-D8
Read More »The latest offering in beyerdynamic’s Tour Group series, the updated TG 1000 wireless mic system, comes fully loaded. It packs a pair of 24-bit digital… Read More »beyerdynamic TG 1000 Digital Wireless with Dante
Read More »Everybody knows Camarillo, CA-based Rat Sound. The company was co-founded by Dave Rat in 1980, largely to serve the growing market for touring punk bands.… Read More »Rat Sound’s SoundTools RatCat Series
Read More »Okay, I’ll admit it, I’m one of those diehard ribbon mic fans. In fact, I published the first review of Royer’s — still remarkable —… Read More »Royer Labs R-10 Ribbon Microphone
Read More »I have met some die-hard Lectrosonics fans over the years, but I personally have little experience using their gear. I thought this might be good… Read More »Lectrosonics Duet In-Ear Monitoring System
Read More »Twelve years after debuting its J series, d&b audiotechnik introduces its new SL-Series flagship line array, which builds upon J’s strengths and propels the company into the future. In January, I traveled to Germany for a close-up, hands-on look at this next-generation, large-format speaker system. And with the company’s new Soundscape object-based immersive audio system, 2018 is shaping up to be an impressive year for d&b.
Read More »One of the issues facing musicians who use IEMs is the debate over whether to use custom-fit or “generic” fit earpieces. Custom IEMs promise better isolation and increased comfort, but capturing an accurate ear impression is critical to a successful fit.
Read More »Before I get started, I should confess that I have been a fan of Audix gear since day one, especially its popular OM- and D-Series microphones. These have always yielded solid, dependable and great sounding results, making them a real favorite in my book. That said, I have no experience with the company’s wireless mics, making this outing with the new Performance Series RF systems a venture into some new territory, and I was anxious to check these out first-hand.
Read More »There’s no arguing that line arrays are dominating FOH systems these days. Likewise, it’s accepted that smaller, more efficient and better sounding boxes are replacing the huge, brute force boxes of yesteryear. I recently provided sound support for a unique event that magnificently merged these two trends for great results. I can’t help but feel as though this particular show was a glimpse into the crystal ball of what’s to come. Like it or not, we had better all be ready.
Read More »Shure’s Axient Digital is the latest addition to the Axient line of high-end, robust wireless systems from the industry leader in wireless microphone and in-ear monitoring. Building on a tremendous wealth of experience with both analog and digital wireless, and coupled with an array of available microphone capsules and accessories, Shure is the most well-positioned company during a transitional time for the U.S. wireless spectrum.
Read More »Powerred loudspeakers have become the mainstay for many applications. Compact and easy to set up, they eliminated issues with amplifier racks, impedance matching and speaker cabling. Simply plug them in, provide audio signal and away you go. QSC, a recognized name in power amplification entered the powered speaker market with their K-Series, which soon became a popular choice of musicians, sound companies and AV rental houses. The compact K’s had 1,000-watt amplifiers, multiple inputs with mixing and basic DSP. Rear panel switches allowed the user to configure the speakers to their needs. So, if the K’s are good, what could be better? Enter the new QSC K.2 models.
Read More »It’s hard to believe, but it has been nearly two decades since 1998, when innovator David Royer launched Royer Labs, a mic company dedicated to creating modern ribbon microphone designs. The first product was the R-121, which employed a patented (U.S. #6,434,252) proprietary offset ribbon technology based on a pure aluminum ribbon and neodymium magnet structure. The result was a smooth, warm sound in a compact and rugged design that quickly found favor with audio engineers everywhere.
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