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The November 2017 Digital Edition

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November 2017

Infrared satellite imaging is one of the tools that can indicate storm activity.

Something Else To Be Thankful For

Just before you dive into that turkey this year, be thankful you got through the entire festival and outdoor touring season without a weather-related fatality. Compare that with the experiences of the last decade or so, particularly 2011, considered the annus horribilis of the industry’s history, when the stage structure at the Indiana State Fair collapsed in high winds, killing seven people and injuring 58 others.

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FOH, 'Theory and Practice' column, Nov 2017

Exploring the Parallel Universe

Anyone who reads FRONT of HOUSE is probably familiar with the differences between serial processing and parallel processing. Serial processing is used when we want 100 percent of the signal to be processed and none of the “original” signal to be allowed into the mix. For example, when compressing a lead vocal, we most often insert the compressor on the lead vocal channel in an effort to control the dynamics of the lead vocal. This prevents the uncompressed lead vocal from reaching the mix.

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At St. Jude Thaddeus Catholic Church in Beaumont, TX, integrator MSC Systems used Smaart software to calculate the exact alignment of the two Danley TH112 subs (mounted on the third beam) with the four Tectonic Audio PL-11 flat panel mains above the altar.

Got Subs?

Adding LF To Your House of Worship

Subwoofers placement and technique is tricky business for the church sound engineer. On one hand, we want our mixes to be impactful and we want them to move people. On the other hand, subs are a common source of complaints in houses of worship, at least the ones that I’ve worked in.

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Illustration by Andy Au

Are We There Yet?

“Are we there yet? No! Are we there yet? No! Are we there yet? No!” It’s the iconic call and response between bored children and their parents as they travel for long tiresome hours in an automobile. It was a scene played out on a daily basis between back seats and front seats everywhere and perfectly parodied in such cartoons as The Simpsons and the Shrek movie. While this is an amusing bit (made all the more funny if one ever experienced the situation up-close), it unfortunately is less than humorous as the experience is unfolding in real-time.

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Enrique Iglesias 2017 tour photo by Steve Jennings

Enrique Iglesias 2017 Tour

The Enrique Iglesias & Pitbull Live! 2017 co-headlining tour, which also featured Latin boy band CNCO as an opening act, hit the road in the U.S. and Canada in June and July, then headed back out for another trek across North America in October and November. The tour follows a previous trek pairing Enrique and Pitbull, the “Time of Our Lives” tour, in 2015.

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Suspended speakers and non-traditional ‘telephone’ lighting poles created a unique hanging environment. Photo by Marshall Bissett

‘Hamlet,’ Outdoors at the San Diego Old Globe Theatre’s Festival Stage

Every new production of Hamlet must lay to rest the ghosts of its predecessors. With its familiar story, often quoted (and mostly misquoted) lines and contemporary spin offs, it’s among the most accessible of Shakespeare’s tragedies. The director’s skill lies in extracting the story of revenge from the Iambic pentameter and metaphysical musings so unfamiliar to the modern ear.

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Bluegrass Underground's Volcano Room. Photo by Michael Weintrob.

The Unique Acoustics of ‘Bluegrass Underground’s’ Performance Space

House engineer Andy Kern and Lonely Dog Productions owner Tony Cottrill on the non-televised gigs staged within the PBS Bluegrass Underground venue, the Volcano Roomxt

A truly unique room — naturally beautiful and with amazing acoustics — makes a memorable music venue. The Volcano Room, a venue that seats 600, is the home for a popular radio and television series Bluegrass Underground, as well as a variety of non-televised concerts each month.

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For the Palace Theatre in St. Paul, MN, Allied Productions and Sales worked with Randy Hawkins, the venue's head audio engineer, on a new system that includes L-Acoustics K2 components.

Recent Theater/Performing Arts Center Projects

FRONT of HOUSE profiles four unique venues, each with their own audio reinforcement needs. There’s the Palace Theatre in St. Paul, MN, a former vaudeville and cinema mecca saved from the wrecking ball and converted for use as a live music venue, and then there’s the Vietnam National Puppetry Theatre, where puppeteers wade behind a curtain in waist-deep water. We also profile the Queen’s Theatre in Hornchurch, Havering, London, which is making the switch from analog mixing to digital, and how acoustic treatments are optimizing the acoustics for different performances within the Mahaffey Theater in St. Petersburg, FL.

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