2017 Hometown Hero Finalists
Audio Achievers Voted Best in Their Region by FOH Readers
Readers across the continent weighed in on which sound company deserved the certificate, bragging rights and the chance to take home the “Parnelli Hometown Hero Award of the Year” at the Parnelli Awards gala in January. There are some fresh faces along with several who are returning to the winner’s circle, but they all offer up a few things in common: a dedication to customer service, a commitment to constantly investing in their inventory and an unflappable commitment to getting the job done. Meet the people running the companies named as the best in their region by readers of FRONT of HOUSE.
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Got Subs?
Adding LF To Your House of Worship
Subwoofers placement and technique is tricky business for the church sound engineer. On one hand, we want our mixes to be impactful and we want them to move people. On the other hand, subs are a common source of complaints in houses of worship, at least the ones that I’ve worked in.
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‘Hamlet,’ Outdoors at the San Diego Old Globe Theatre’s Festival Stage
Every new production of Hamlet must lay to rest the ghosts of its predecessors. With its familiar story, often quoted (and mostly misquoted) lines and contemporary spin offs, it’s among the most accessible of Shakespeare’s tragedies. The director’s skill lies in extracting the story of revenge from the Iambic pentameter and metaphysical musings so unfamiliar to the modern ear.
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Year-End Summary
At the end of each touring year, I try to go over what was done right, what was done wrong and what we could do better while out on the road and performing night after night. This past year was particularly interesting because of the variety of geographic locations to which we traveled and the diversity of gear packages that we encountered along the way.
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Recent Theater/Performing Arts Center Projects
FRONT of HOUSE profiles four unique venues, each with their own audio reinforcement needs. There’s the Palace Theatre in St. Paul, MN, a former vaudeville and cinema mecca saved from the wrecking ball and converted for use as a live music venue, and then there’s the Vietnam National Puppetry Theatre, where puppeteers wade behind a curtain in waist-deep water. We also profile the Queen’s Theatre in Hornchurch, Havering, London, which is making the switch from analog mixing to digital, and how acoustic treatments are optimizing the acoustics for different performances within the Mahaffey Theater in St. Petersburg, FL.
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Nightclub Focus: Twelfth & Porter
After a One-Year Hiatus, 12th & Porter Returns to Nashville’s Live Music Scene By Thomas S.FriedmanI
n February 2015, when 12th & Porter’s previous owners announced that their storied venue was about to close, the local newspapers went into full obituary mode, lamenting the loss of a venue that helped put artists like Keith Urban, Sugarland and Dierks Bentley into the public eye (and ear).
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New Gear, Nov. 2017
FRONT of HOUSE’s Nov. 2017 New Gear section includes products from Allen & Heath, Audio Precision, BAE Audio, Bose, DirectOut, DPA, EarSonics, EAW, Eventide, Lectrosonics, PreSonus, sE Electronics, Shure, SKB, Waves and Whirlwind.
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Exploring the Parallel Universe
Anyone who reads FRONT of HOUSE is probably familiar with the differences between serial processing and parallel processing. Serial processing is used when we want 100 percent of the signal to be processed and none of the “original” signal to be allowed into the mix. For example, when compressing a lead vocal, we most often insert the compressor on the lead vocal channel in an effort to control the dynamics of the lead vocal. This prevents the uncompressed lead vocal from reaching the mix.
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