Recording the Band: Getting Better All the Time
Once upon a time, the very idea of recording the band and capturing multitrack performances from the FOH position was unheard of — a nearly impossible task. Analog recorders — while today worshipped in the studio for their thick, “phat” sound — were never really suited for life on the road, being somewhat fragile, and also limited to a 33-minute record time on a 10.5-inch (2,500-foot) reel of tape. That said, there were some pioneers, like Ron Wickersham (also co-creator of the Grateful Dead’s famous/infamous wall of sound) who modified early Ampex decks to take 14-inch reels to capture the Dead’s 1972 European tour.
Read More »