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LL Cool J at the Belmont Stakes

Company co-founder Billy Thompson at Brighton Sound in the early 1970’s.

Ashly Audio: 40 Years of Sound Innovation

While we come into this office every day, we’re still live sound guys,” laughs J.P. Boucher, COO. “We don’t want to read a 200-page manual on how to operate something and we know the people out there mixing or installing sound don’t either. Another thing that sets us apart is when you call, a real person will help you through any issue on any product or situation. And I wake up every day loving this job!”

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FOH August 2014 Buyers Guide - Earpieces for IEM Systems

Earpieces for IEM Systems

In-ear listening/monitoring systems have made a major impact in the way concerts are presented. A rock-solid wireless transmitter combined with beltpack IEM receivers and accurate earpieces can significantly improve nearly any show or presentation. Not only can performers hear themselves far better than stage wedge mixes, IEM use results in lowered stage volume. With a great IEM mix, the FOH engineer’s task becomes simpler, audience get better sound and artists are happy — a definite example of a win-win-win-situation.

To download a PDF of the FOH August 2014 Buyers Guide, CLICK HERE

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-T’s free ISS app puts an RTA and a host of other useful audio tools into your iOS device.

Audio-Technica Installed Sound Support App

From a user standpoint, one of the downsides of reading reviews is perusing a discourse on some state of the art, megabuck 96-channel digital console when you’re getting by on a 16-channel desk for the shows you mix at your church, community center or Elk’s Lodge. “If only I could afford something cool that I just read about,” you might be thinking. Well, now you can.

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Electric Daisy Carnival in Las Vegas, 2014. Photo by Adam Kaplan/ASK Media Productions

Is Festival Fever Fading?

Music festivals are big business. Coachella, Lollapalooza and Bonnaroo — the three largest franchises in the U.S. — took in over $20 million in ticket sales each, contributing to what’s become a $4.3 billion live music market here, representing way more than half of the entire music industry’s total value in an age of still-declining recorded-music sales.

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