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Chester French Using Electro-Voice PL80 Microphones

Chester French Using Electro-Voice PL80 Microphones

LAS VEGAS — With a sound that has been described as “equal parts indie rock and hip-hop,” Chester French has a first album, Love the Future, a hit single, “She Loves Everybody,” and will open for Blink-182’s 2009 North American summer tour starting in July. The duo and their freelance tour manager/FOH Engineer, Sean Peel, pictured here, rely on Electro-Voice’s new generation of PL80 mics.

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Sennheiser Supports Vocal Jazz Camp with Gear, Scholarship

BOWLING GREEN, OH —Bowling Green State University’s (BGSU) Vocal Jazz Camp, which features instruction from members of New York Voices, a Grammy-award-winning vocal jazz quartet, is getting support from Sennheiser and Neumann in the form of a scholarship and live microphones, both for use during the camp and as a prize.

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John Barleycorn Equipped with Martin Audio Gear

SCHAUMBURG, IL —With three other clubs in Chicago’s Wrigleyville and Lincoln Park suburbs, the owners of the new John Barleycorn here wanted to take things up a few notches. The club/bar/restaurant combo offers dining and drinking on the first floor and a club/live sound venue upstairs.

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Production Plus Rethinks Line Arrays with Adamson SpekTrix System

BURR RIDGE, IL — Frank Weber and John Muzyka, lead audio techs for Production Plus, have been contemplating the benefits of line arrays for a few years now, yet neither were satisfied or convinced there was a system offered that would uniformly appease their customers’ specifications or requirements —until they discovered Adamson’s SpekTrix system.

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Safety Dance

As we head into the summer season—even in a flat-out crappy economy—it means time for festivals, fairs and other outdoor one-offs. We may be coming out of the mire a little earlier than other places but things at least appear to be slowly picking up in Las Vegas. After a really slow few months, more than one company I know of out here is running up to three shows deep some weekends.

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It Takes a Team to Build A Venue. . .

In the months before this venue opened, I posted a blog on ProAudioSpace about “iconic” venues that are all too often all rep and no substance. In other words, they may be famous but they sound like crap. And I must admit that part of what had driven it was a show I had just seen at the old Joint at the Hard Rock. In fact, it was one of two closing performances with a big rock band that made their name in the 1980s.

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Welcome to the Hat Store

Once again, the call came via ProAudioSpace.com. Would I be interested in coming out to cover the Robin Thicke/Jennifer Hudson tour and The Pearl, the high-end concert venue at the Palms Hotel that was covered in FOH back when they were building it? I really liked the idea of the venue, but the one show I had seen there left me underwhelmed because the room was under subbed, and with an act as great as the Black Crowes, that is well nigh unto a sin.

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