So I'm guest-mixing in a small club, and the changeover has begun, and it's our turn. I go to plug in the bass channel, and a huge boom goes through the system. I'm thinking, "That's weird; I muted the channel – it couldn't be a phantom power pop…" I go back to the desk, and the first six channels are lit up. Just to see what happens, I push up the snare channel, and sure enough, "Bagunk Bagunk" is the sound that is made as the fader passes through unity…
Read More »In his January 2010 FOH "Theory and Practice" column, Brian Klijanowicz discussed the concept of subwoofer time alignment. If you haven't read that article (or even if you have) you should revisit the January issue for a refresher. Brian pointed out the fact that venues often have physical constraints requiring less-than-ideal placement of top boxes relative to subwoofer boxes.
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Like so many folks involved in the live sound business, pMd Productions president Dave Kuhn got his start as a musician. "Back in high school [in La Puente, California, east of Los Angeles] I was in a bunch of garage bands. All my friends were pretty talented and got better at their instruments-and I did not," he laughs. "But I did have an affinity for our sparkly blue [Naugahyde] Kustom Tuck ‘N' Roll PA. So that's partly where I got the taste for live sound and for equipment."
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How many times have you been sitting behind the front of house console and had someone ask you, "Do you know what all of those knobs do?" If the answer is "No" when you are talking about compressors, then you can get yourself into trouble.
Read More »Digital mixing console? Check. Digital plug-in processing? Check. Digital audio network to stage and monitors? Check. Digital multitrack hard disk recording system? Increasingly, check – and that's a potential checkmate for what was once a thriving sector of the live music business.
Read More »Today we will be discussing the subject of house of sound pressure levels (volume). The size and shape of a worship space can affect the overall sound level, but of course the desires of the congregation (and leadership) will determine how much volume will be allowed in a particular worship house.
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E-mail is a great work tool, and at this point in time, I cannot even imagine doing business in a world without the service. After all, what would one do without the solicitations to enlarge their manhood or to please every woman by lasting longer in bed? Fortunately, just like every other guy who gets these wonderful offers, I am not in need of what these artful entrepreneurs are selling. Therefore, these e-mails get deleted and sent to my computer's hard drive trash bin, along with every additional piece of digital junk that filters through my spam protector.
Read More »AURORA, IL – Yamaha Commercial Audio Systems will hold a NEXO Loudspeaker Demo at the Paramount Arts Centre Theatre Sept. 10 from 10 a.m. to 4 p.m. The free event is open to all audio professionals.
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TORONTO – Adamson Systems Engineering Inc. named Jon Bosaw U.S. sales manager. Bosaw, who has over 20 years experience in the pro audio industry, will be working out of a Seattle, WA office.
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Roland Systems Group's S-MADI REAC Bridge, a bi-directional signal converter between MADI and REAC, enables connectivity between Roland's REAC products (M-48 Personal Mixing System) and MADI-equipped digital audio mixers.
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Allen & Heath's iLive Tweak, its first iPhone app, provides real-time mobile control of the iLive digital mixing range. The release adds another option to iLive's array of remote control possibilities, which includes laptops and touch tablets running iLive Editor control software, and the PL Series of controllers.
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The en•CORE 300 is built upon Blue's custom-tuned condenser capsule technology used in the company's extensive studio line. In the en•CORE 300, this studio-grade condenser capsule is mounted on a rubber suspension system and coupled with a phantom powered circuit tuned to match the capsule for vocal clarity with consistent tone and low noise, regardless of the cable length on stage.
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