SALT LAKE CITY, UT – Harman's Lexicon has announced that its latest software update for Mac OS X 10.6 Snow Leopard offers compatibility for the PCM96 and PCM96 Surround Reverb/Effects Processors.
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Turbosound's six-model Compact series includes four passive trapezoidal loudspeakers and two subwoofers, all outfitted with rigging features suited for portable live sound and fixed installation applications.
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MEXICO CITY – VMB has appointed Hi Tech Audio as their exclusive distributor for its audio gear lifts in Mexico. Hi Tech Audio will be distributing all VMB models.
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MARCOUSSIS, France – L-Acoustics, which unveiled plans for its KARA/SB18 pilot program at Prolight + Sound 2010 in Frankfurt, now reports that the pilot program is underway, with participants including members of the L-Acoustics Rental Network.
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The Club Series Tempoflex from Sommer Cable is designed for permanent installations and mobile applications for theater and other live performances, particularly those where the mikes are allowed to dangle from truss.
Read More »My house has what we call the "million dollar view." As in, if it were in L.A. or New York, the view alone would be worth a million bucks. In Vegas, it's not worth what we paid for it, but that is a different subject…
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It was more than 20 years ago today that Paul "Pab" Boothroyd first put fingers to faders as FOH engineer for Paul McCartney.
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Everything about the new Cirque du Soleil show is Rock Concert, capital R capital C. It's Viva ELVIS, after all, and it required a sound design that is a departure for the prolific French-Canadian troupe and Sin City mainstay.
Read More »To download a PDF of the May 2010 FOH Buyers Guide, CLICK HERE .
When the show must go on, the power must first be applied. To apply it correctly it must be applied safely, and that's where all those codes and regulations come in.
The Palace Theater originally opened in 1922 and is part of the Playhouse Square complex, an integral part of the Cleveland Theater District. The venue, which seats 2,700, is used for an eclectic mix of shows, from touring productions to concerts.
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I have field-tested and written about many audio amplifiers, and a common thread in all those reviews is power versus weight. Every sound guy wants as much horsepower per pound as they can get in their amps. Of course it goes without saying that the power must be colorless and transparent. So that brings us to the Peavey IPR 1600 stereo power amplifier.
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I would be lying if I said I am not a fan of Ashly. Their gear has always been reasonably priced, and I have never had a big problem with gear functionality, as well as advancing the shows that I do with my personal gear, which are, on average, around "B" level nationals.
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