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Roland M-480 Live Mixing Console

Roland M-480 Live Mixing Console

Roland M-480 Live Mixing Console

For some years now, the Roland Systems Group has enjoyed a great deal of success with its M-series digital mixers. That said, I have never had the pleasure of mixing on one. Which is why editor George Petersen felt I was the perfect choice to review the Roland M-480 V-Mixer digital console. So, what you are about to read are my first impressions of this piece of technology.

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VUE Audiotechnik: A Different Approach

Back in March of this year, right on the eve of the Musikmesse/Prolight + Sound show in Frankfurt, there was a surprise announcement about a new pro audio company. The “new company” part wasn’t much of a shocker — new companies spring up nearly every day. But the real issue of interest here was that this new enterprise known as VUE Audiotechnik is headed by Ken Berger and Jim Sides, two well-known industry icons with an impressive track record.

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The completed theatre offers comfortable seating with excellent sightlines. Photo by Tim Cooper.

The Howard Theatre Renovation

Built a century ago, Washington DC’s historic Howard Theatre is back to life. Located near the corner of 7th and T Streets in an area known as “Black Broadway,” the historic arts landmark that launched the careers of Duke Ellington, Ella Fitzgerald, Marvin Gaye and The Supremes, reopened in April after a $29 million renovation.

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Frequency City handled production for this Mr. Speed (Kiss tribute band) show in Eaton, OH.

Frequency City Sound & Lighting

Like many regional companies, Frequency City Sound & Lighting Ltd. started off from humble beginnings. Like many others, it’s a familiar tale — local rock ‘n’ roll guitar player with PA (Peavey mixer/amp head, some mics and a couple Peavey SP3 speakers) decides to branch out and make money doing sound for other bands between his group’s gigs. Eventually the business grows into a serious operation.

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The second-generation iLok USB smart key can hold over 500 cross-platform (Mac and Windows) software licenses for applications and plug-ins.

“iLok, Therefore I Am”

We have recently completed James Taylor’s 2012 European tour, and I am writing this column while kicked back in a comfortable London hotel room, enjoying a couple of days of R&R. My flight home from Reykjavik to LAX was routed through Heathrow (yes, really), so I decided I would do two things. First, I spent two extra days in Iceland sightseeing with my friend (and JT monitor engineer) Rachel Adkins. It was the first time either of us had been to Iceland, and we each figured that we might never get back there. It is a starkly beautiful country, and we enjoyed every minute we spent there exploring the island. Second, I jumped ship in London and took a little time to myself. Everyone in our business deserves a little pampering once in a while.

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The Biz, FOH magazine photo by George Petersen

Dealing with Travel Visas

The down-easter phrase, “You can’t get there from here,” is a familiar one to anyone who’s ever asked for directions on a back road in Maine. Unfortunately, it’s becoming more recognizable to touring music artists as well, in recent years, and it’s not exactly music to their ears.

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San Francisco’s Davies Symphony Hall minimizes parallel surfaces to eliminate standing waves. The stage is surrounded by wooden lattice diffusors and adjustable overhead Lucite reflectors. Diffusors are installed on the ceiling, side walls and balcony fronts to break up sound waves and minimize slap reflections, and absorptive fabric panels can be moved to tweak reverberation time.

Acoustics 101

An ongoing struggle facing all live sound engineers is the impact of poor room acoustics on their mix. All too often, we find ourselves mixing music in spaces not intended for live music, or spaces designed for live music with minimal concern for acoustics. Sometimes we mix music in theaters that, once upon a time, were acoustically designed for unamplified music, the favorable properties of which go out the window once a PA is brought in-house.

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How to Make Your Worship Services Sound Better

For many of you, this month’s installment may seem a little redundant, as I’ve written about this subject in the past. But before you turn the page, hear me out. Our main job as audio technicians is to make the service sound as good as it possibly can. In reality, almost all my Sound Sanctuary writing is designed to that end. Making great sound is important to me, as I am sure it is for you.

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Illustration by Andy Au

Technology: The Good, The Bad and The Strange

Audio, music, baseball and girls are pretty much all I think about — and not necessarily in that order. Well, not really girls (since I’m married), but something just like it. Believe me, I’m not trying to imply that I’m shallow but… Okay, I’m a superficial scum, so sue me, but they do all go together, although maybe not in this article. So just for expediency, if I forget about the girls, it leaves audio, music and baseball.

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Sennheiser Hosts K-array Demo Room at InfoComm 2012

LAS VEGAS — Sennheiser is hosting a demo room during InfoComm 2012 featuring  K-array concert speakers, portable speaker systems and installed sound speakers. Demos are planned for the new portable Redline series models along with speaker solutions for installations. Sennheiser will conduct personalized demos of its Audio Distribution Network (ADN), Tourguide EK1039 and wireless microphone systems.

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