There’s an almost infinite variety of worship spaces and sanctuaries. And even if there wasn’t, the broad spectrum of service styles would make each installation project unique. But all sound installations have the same two requirements — musicality and intelligibility of the spoken word.
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Cirque du Soleil’s celebration of Mexican culture, which debuted in Montreal in 2016, opened on NYC’s Randalls Island in March. Bryan Reesman chats with Australian sound designer Roy Cressey on the challenges of optimizing sound within a 2,600-seat tented venue.
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Systems engineer Samantha Boone notes that, from houses of worship to concert arenas, it makes sense to think of the attendees’ experience and to ensure their most important listening needs are met.
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Far from the clunky headsets of yesteryear, today’s range of headworn microphones are lightweight and nearly invisible. Steve Savanyu takes a close look at the variety of available styles (earworn or headset), colors, prices and terminations to interface with any kind of wireless bodypack.
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The “V” and “F” in this mic’s name references violins and flutes. And as Steve Savanyu notes, by using the same condenser capsule as the ATM350, the ATM355VF can capture a wide range of dynamics and musical subtleties.
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David Kennedy chronicles the evolution of amplified sound, focusing on loudspeaker R&D from the late 1950s to 1969.
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Steve La Cerra notes that you probably hear and see the term “impedance” almost daily. But what does it really mean? He tackles the mystery.
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There are good reasons to make the move to headset mics. But as John McJunken notes, it’s important to work closely with those who will be using them.
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Social Security, Medicare and Medicaid have been an important safety net for many decades. Baker Lee notes how these earned benefits can cushion the impact for workers in freefall.
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Sound Companies
ATK Audiotek, Clair Global, Soundtronics
Venue
Crypto.com Arena
Los Angeles, CA
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