MINNEAPOLIS – The Super Bowl LII Halftime Show, held Feb. 4 at US Bank Stadium, featured Justin Timberlake as he performed a medley of hits. It may have been billed as a solo performance, but in terms of the audio requirements, it was a big show, with scores of singers, dancers and even the University of Minnesota Marching Band taking the field. ATK Audiotek relied on an extensive Dante networked audio infrastructure featuring components from Focusrite’s RedNet range of Dante-networked audio converters and interfaces.
More details from Focusrite (www.focusrite.com):
The system, which was also used for Pink’s “Star-Spangled Banner” performance and other moments throughout the evening, was deployed by ATK Audiotek, the longtime provider of the Super Bowl’s live-sound productions.
The system this year consisted of a total of 48 RedNet units in all, and it was the second consecutive year that ATK Audiotek has employed RedNet components. It was larger than last year’s RedNet system because ATK Audiotek networked the entire live-sound system in the bowl this year, including cart-mounted field PA speakers that are wheeled into place for the performances, wireless microphones, wedge monitor speakers used for the pre-game events such as the national anthem, and IEM monitors used by Timberlake and other onstage performers. It was a big system, but RedNet handled it with ease.
“The flexibility that we had with the RedNet system was incredible,” says Kirk Powell, ATK’s engineer in charge. “We were able to send any signal anywhere in the venue, because we were no longer restricted by where we had cables going. Once we had the network infrastructure in place, all we had to do if we need a microphone somewhere was just plug it into the network, and RedNet did the rest.”
Powell says RedNet offered other benefits at the complex live event, including the ability to keep the entire audio signal almost exclusively digital from beginning to end. “We didn’t have to have a number of A-to-D and D-to-A conversions in the system, which made the entire process smooth,” he explains. And in what was a physically smaller venue this year, RedNet kept cabling to a minimum. “RedNet definitely helped reduce the amount of space we needed for everything, which was important in the smaller stadium and at an event where we were adding more elements onto the system than we had last year, like the wireless mics and monitors,” he adds. “RedNet helped make a more complicated project simpler, and the value of that is enormous when you’re doing an event like the Super Bowl.”
ATK Audiotek Focusrite gear setup for Super Bowl LII:
• 10 RedNet D16R 16-channel AES3 I/O’s
• 32 RedNet A16R 16-channel analogue I/O interfaces
• six RedNet D64R 64-channel MADI bridges
