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Peter Hylenski Specifies Meyer Sound Gear for “Motown: The Musical”

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NEW YORK, NY – For Motown: The Musical, which made its Broadway debut at the Lunt-Fontanne Theatre in April, sound designer Peter Hylenski specified a variety of Meyer Sound components. The system within the 1,505-capacity venue includes M’elodie, UPJ-1P VariO, UP-4Xp, UPM-1P, and UPA-1p loudspeakers and a combination of 700-HP and 500-HP subwoofers.

More details from Meyer Sound (www.meyersound.com):

One of this season’s hottest tickets on Broadway is the runaway hit Motown: The Musical, which features a story line that weaves together more than 60 hit songs by artist that transformed Detroit into a hit-making capital. To accurately transmit music originally created by legends like Diana Ross, The Jackson 5, Stevie Wonder, and others, sound designer Peter Hylenski specified a reinforcement system of Meyer Sound self-powered loudspeakers.

The sound of Motown has received rave reviews from critics. Chris Jones of the Chicago Tribune describes the show’s run at the 1,505-capacity Lunt-Fontanne Theatre as featuring “a top-tier sound system that far exceeds what you usually get on Broadway.” After applauding “spot on” performances by singers and musicians, Elisabeth Vincentelli of the New York Post says, “All are bolstered by Peter Hylenski’s excellent sound design, a rarity on Broadway. Loud but crisp, it’s a perfect match for the large orchestra’s explosive brass and driving rhythms.” According to Hylenski, the sound design of Motown brought interesting challenges. “The Lunt is a nice theatre, but is acoustically not the friendliest for a show like Motown. I had to pay careful attention to Zoning, allowing maximum flexibility for adjustment of level and tonality using many smaller Meyer Sound loudspeakers. Also, we had a very flexible output structure using D-Mitri (the heart of the system) and Galileo.” The main Meyer Sound system includes front arrays of 14 each M’elodie line array loudspeakers, a center cluster of six UPJ-1P VariO loudspeakers, and four 700-HP subwoofers. A total of 48 additional UPJ-1P and UP Junior VariO loudspeakers and UP-4XP, UPM-1P, and UPA-1P loudspeakers are deployed in delay, fill and surround systems, along with 6 additional 500-HP and M1D-Sub subwoofers.

A D-Mitri digital audio platform is used for signal processing, distribution, and show control, comprising of 2 core processors and 7 I-O frames. System drive is supplied by Galileo loudspeaker management system with 3 Galileo 616 processors. Keith Caggiano assisted in system design and logistics, and the complete reinforcement system was supplied by PRG Audio.

For Hylenski, the M’elodie loudspeaker arrays provided a solid foundation for the show’s electrifying music. “I’d imagined giving the power and control of M’elodie was just what I needed, and in a small package.” Loosely based on the life of record label founder Berry Gordy, Motown: The Musical is in an open-ended Broadway run, with most shows selling out well in advance.