VANCOUVER, BC – Sound engineer Ben Hammond opted for Allen & Heath’s GLD and iLive digital systems to manage FOH and monitors for the British heavy metal band, Saxon. The band recently completed a month-long tour of North America, supported by American rock band, Fozzy. A GLD-80 mixer was at FOH, accompanied by an AR2412 rack to manage I/O, such as L+R, Sub, Fills. The mixer takes inputs via Dante from the iLive monitor system, which included an iLive-T112 surface and iDR-48 MixRack.
More details from Allen & Heath (www.allen-heath.com):
“I’m currently running a 39 input “festival patch” type channel list to fit both Saxon and Fozzy, and GLD has coped fantastically,” said FOH engineer, Ben Hammond, while the tour was still underway. “I’m using all 8 on board FX engines, which sound stunning – the EMT250 and ADT presets are personal favorites of mine. As well as the FX, so many great iLive features have been included in GLD, one of which that I find incredibly useful is the filter on the compressor section; I’m using it for Saxon’s front man, Biff Byford, to hit his vocal pretty hard from 800hz-4khz, which keeps his voice sounding thick and full right into the higher registers. I’m putting the vocals into a subgroup where I apply full band compression with the Manual Peak setting.”
Hammond used the Dante controller software to route the direct outs from the iDR-48 into the GLD channel inputs. He would then send talkback, and a split of the iPod channels for the intro, back down Dante to the iLive surface, which got piped into the bands IEMs. The Dante controller software was also routing the audio into Reaper for multitrack recording via the Dante virtual sound card.
“The GLD Editor has been great on this tour especially for programming shows for the various press and TV appearances where we have taken the GLD, and run a much more cut down channel list, with me doing the IEMs also, and mixing L+R for the TV feed,” said Hammond.
