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Tip of the Week

Automation vs. AI

As Baker Lee notes, while automation executes predefined tasks, AI learns from data, adapts and makes decisions without explicit programming. But not everyone will be eager to accept AI’s helping hand. To read his Feb. 2025 column, “The Future’s So Bright, I Gotta Get AI,” click the link below.

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The A, B and C of Weighting

We’ve all heard the terms dB(A) and dB(C) attached to SPL measurements, but do you really understand the difference between the various sound level weighting curves? With his January 2025 “On the Digital Edge” column, FOH contributor Steve La Cerra offers some answers.

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Budgeting for 2025

Now that we’re past all those holiday events, it’s time to plan for the upcoming year. But before you break out those spreadsheets, our man in the pews John McJunkin offers some timely tips and solid advice for financial salvation.

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Right and Wrong

Artistically, there are no rights or wrongs in the way one mixes, but as Baker Lee points out in his January 2025 FOH-at-Large column, there are still a few basic tenets to adhere to.

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Sound for Large Holiday Events

As if we weren’t busy enough this season, many congregations also add additional events – pageants, community sing-alongs, special concerts and more. In his “Sound Sanctuary” column for FOH’s Dec. 2024 issue, John McJunkin provides some advice on dealing with the extra workload.

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Tips for Mixing Monitors from FOH

Creating performer stage feeds can be a sizeable job on its own, but when you’re also mixing the main P.A., the situation can be “complicated.” With his column in the Dec. 2024 issue of FOH, Steve LaCerra offers some useful survival tips on mixing monitors from front of house.

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Mixing Monitors from FOH

Creating performer stage feeds can be a sizeable job on its own, but when you’re also mixing the main P.A., the situation can be “complicated.” With his column in the Dec. 2024 issue of FOH, Steve LaCerra offers some useful survival tips on mixing monitors from front of house.

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