Shure has extended its line of SM microphones with two new headset microphones—the SM35 Performance Headset Condenser Microphone for live sound applications (pictured here) and the the SM31FH Fitness Headset Condenser Microphone for fitness instructors. Shure also launched the PGA31 Headset Condenser Microphone and the Centraverse Lavalier (CVL) Condenser Microphone, designed for presentation applications.
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RCF’s HL Stadium Series, now part of the company’s installed sound offerings, promises to combine the properties of a horn-loaded constant- or variable-curvature array while meeting specifications for high vocal intelligibility. It is designed for medium-to-long-throw applications within stadiums and arenas.
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LOS ANGELES, CA. — Roland Systems Group announces the Roland S-2416 Stage Unit/digital snake which expands the line-up by offering a 24 input x 16 output analog and 8 input x 8 output digital, for a total of 32 input and 24 output channels. In addition to the analog and digital I/O the S-2416 has two REAC ports enabling the ability to cascade an additional snake for expanded I/O or for a fully redundant, zero-loss audio back-up solution. In addition, the discrete mic preamps are newly developed high-grade ensuring highest-quality uncolored sound.
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FRANKFURT, GERMANY — Slated to debut at next week’s Prolight+Sound show in Frankfurt, VUE Audiotechnik’s new hs-20 compact subwoofer features the company’s Active Compliance Management (ACM) technology. Originally developed for its hs-28 and hs-25 systems, ACM technology combines a unique hybrid transducer alignment with sophisticated onboard electronics to deliver more output and low frequency impact than more conventional vented designs, while minimizing the need to increase overall enclosure dimensions.
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Grundorf recently announced three new amp rack models designed for transport ease and maximum protection. The new amp rack cases, models ABS-R0416CB, ABS-R0616CB, and ABS-R0816CB, build upon the many features of the ABS line.
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Radial Engineering’s StageBug SB-48 Power Bar is now shipping. The SB-48 is a dual channel 48 volt phantom power generator is designed to power microphones and direct boxes when phantom power may not be at hand.
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Mackie announced the release of Master Fader 2.1, the primary control app for Mackie DL Series Digital Live Sound Mixers. Master Fader v2.1 promises new features and enhanced output processing to help professional users.
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The new SBH-10 “Skinny Big Horn” represents Danley Sound Laboratories’ entry into the column speaker market. It promises to combine the aesthetic benefits of a column speaker with fidelity, superior pattern control, no spurious lobes, and no requirement for complicated signal processing.
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Yamaha’s R Remote software, a standalone application for use with the company’s R Series input/output rack units, gives users remote control of R Series Rio3224-D, Rio1608-D and Ri8-D rack unit head amplifiers directly from a computer. With R Remote, a live recording system can be created with just R Series I/O racks and a computer running Nuendo Live or similar DAW software. Combined with the I/O racks, R Remote can be used with consoles that up until now have not been able to support remote head amp control, such as the 02R96 or 01V96i.
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Flare Audio’s SM15 Stage Monitor is designed to help live music venues optimize stage space. The compact (384mm x 595mm x 421mm) and lightweight (28kg) units are designed with 15″ and 1″ drivers capable of producing ample power (Max SPL of 133.5dB) for a wide array of applications.
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CAD Audio has added the new AS22 and AS16 to its growing line of Acousti-shield stand mounted acoustic enclosures.
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VUE Audiotechnik’s compact h-8 joins the company’s other h-class loudspeakers, including the larger h-12 and h-15 systems. The h-8 combines an 8-inch transducer with a neodymium compression driver featuring a Truextent beryllium diaphragm at its core.
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