New Gear

Turbosound’s TCS series is a range of 19 individual products for sound systems in a variety of venues, ranging from small clubs and bars to stadiums. The line incorporates acoustics technologies that are intended to help audio installers tailor the sound to each environment.
 

Klark Teknik’s DN530 Creative Quad Gate features Transient Accenting, which is designed to let users enhance the attack envelope beyond merely opening the gate. This can provide up to 12dB of additional transient energy, and its primary application is to provide additional impact on drums and percussion instruments. It can also be used to enhance the impact of acoustic stringed instruments such as guitar and piano. Transient Accenting also gives users control over the amount of enhancement applied to each channel of processing. The DN530 can also add a creative flare to drum channels with its accent feature, which can also reduce the need for excessive EQ or compression.

Wireworks SPEN and SPE5 loudspeaker cables are designed specifically for use with Meyer Sound’s MM-4 and MM-4XP speakers respectively. SPEN cords can also be employed anytime small, secure speaker cords are required.

Ebtech, makers of audio solution devices for installers, contractors and musicians, have added two new products to their line of Audio Solutions: HE-8-XLR, pictured here, an eight channel Hum Eliminator™ in a single space rack format, and LLS-8-XLR, an eight channel Line Level Shifter® in a single space rack format. Both new units have a new reversible rack ear design. As with all Hum Eliminator™ and Live Level Shifter® products, each is passive, sonically transparent and road-ready with steel enclosures and all Ebtech® products come with a two-year warranty.

One of PI’s most recognizable products in the market has always been the Blazon.  From its creation in 1986, it has undergone many changes.  The extrusion and lamp have been reduced to less than 25 percent of the original size, and it has gone from a plastic extrusion to a more rugged aluminum construction.

With the 700 mHz band largely off limits and 2.4 mHz more and more congested by Wi-Fi, at least a couple of manufacturers are looking to the all-but-forgotten 900 mHz range for some relief. The new DTV-free SWM6000 Smart Spectrum wireless microphone system from Sabine is one of those.

Shure has expanded its SM line of microphones with the SM27, which replaces the KSM27, and the SM137, which replaces the KSM109. The SM27 is a large-diaphragm, side-address cardioid condenser microphone with a one-inch Mylar diaphragm for transient response, low frequency reproduction and a low self-noise — just 9.5 dB SPL. The SM137 is a cardioid probe microphone for instrument recording applications.

Community Professional Loudspeakers’ new MX41E series of stage monitors are compact two-way bass reflex floor monitors, available in 90-by-40-degree (MX41E-94) or 60-by-40-degree (MX41E-64) coverage patterns. The MX41E is voiced for live performance use, combining balanced, full-range musical performance with vocal range and focused coverage. Both models feature rotatable horns for narrower horizontal coverage. Angled backs allow the MX41E to be positioned at 30- or 45-degree angles. Other features include Community’s Ferrofluid-cooled LF driver technology, solid birch plywood construction, 16-gauge perforated, powder coated steel grille, steel handles, steel input panel with Passive/Bi-amp switch and Neutrik input connectors. MX41E monitors are also protected by Community’s PowerSense™ driver protection circuitry and come with a five-year warranty. Black and white finishes are available.

The Earthworks FlexWand Series combine a 30kHz HD microphone, boom and stand as a single unit for choir or musical instruments. It allows the microphone head to be positioned as high as 7 feet and as low as 1.5 feet from the floor. There are no visible wires or cables above floor level. Instead of having to find a mic, attach the mic clip to the stand and then dress the cable around the stand, users can just pick up the FlexWand, position it and plug the mic cable into the base. Along with a large flex section near the center of the stand that couples the stand and the wand, there is a mini-gooseneck between the end of the wand and the microphone head.

Yamaha Commercial Audio Systems’ IMX644 rack mount digital mixer features six Euroblock mono inputs each with individual +48V phantom power, four RCA stereo inputs and an additional optical digital input. Outputs consist of two pair of stereo Euroblock connectors and two channels of mono outputs. The IMX644 is designed for compatibility with all 26 Installation Series loudspeakers. Advanced features can be accessed from a computer running IMX644 Manager Software via a USB connection. Software features include a feedback suppressor and automatic ducking on all mono inputs, six-band parametric EQ and digital delay and output balance on all outputs. Complete configurations can be saved to any one of 16 recalled scenes. GPI inputs and outputs are provided as well as an RS232-C remote connection, which allows remote control via third party systems such as AMX or Crestron. Available in March, the IMX644 rack mount mixer can be used for conference rooms, banquet halls, lounges and restaurants and has an MSRP of $2,099.

You know those old WWII movies where the hero is trying to make an escape from behind enemy lines, and some SS-type guys would always get on the train and walk down the aisle asking every one, “Your papers, please?” And then everyone would start digging for their official documents to prove they were not enemies of the state while our brave hero tried to figure a way out of the mess?