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Focusrite Saffire PRO 26 (front)

Focusrite Saffire PRO 26

Focusrite notes that its Saffire PRO 26 is the latest addition to the Focusrite range of Saffire PRO FireWire/Thunderbolt compatible audio interfaces. Designed for use in both studio recording and live performance environments, the Saffire PRO 26 promises a comprehensive 18-in, 8-out, 24-bit/96kHz audio interface with four Focusrite mic preamps.

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Shure DC 5900 F

Shure DC 5900 F

Shure is now offering the DC 5900 F, a new flush-mounted discussion unit, to its DDS 5900 Digital Discussion System. Shure says the Shure DC 5900 F is first conferencing unit on the market to use optical sensing to automatically configure the unit’s functionality.

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RCF’s L-PAD line of compact audio mixers promises a combination of power and flexibility, suited for use with genres ranging from jazz to rock along with a variety of venues.

RCF L-PAD

RCF’s L-PAD line of compact audio mixers promises a combination of power and flexibility, suited for use with genres ranging from jazz to rock along with a variety of venues.

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The new Smaart v.7.5

Smaart v.7.5

Rational Acoustics released Smaart v.7.5, which includes significant feature additions and interface modifications along with important bug fixes. They include Smaart v.7.5’s new Target Curve feature (pictured here) and a Quick Compare feature for transfer function measurements.

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RF Venue’s RF Explorer RackPRO

RF Venue RF Explorer RackPRO

RF Venue’s RF Explorer RackPRO is a new hardware/software spectrum analysis platform designed to manage and monitor any size wireless audio system from a USB-connected laptop or directly onboard a wireless equipment rack.

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Alcons Audio LR24

Alcons LR24 Large-Format Ribbon Line Array

The LR24 is a 3-way, “larger-format” line-source sound system, to be used as vertical array, either in stacked or flown configuration, for even the largest sound reinforcement applications. The LR24 offers HiFi-grade sound quality for high-SPL capabilities. Loaded with Alcons’ proprietary pro-ribbon technology for mid and high frequencies, the LR24 provides fast impulse response with full-dynamics and up-to-90% less distortion under lowest power-compression. The all-natural (Isophasic) cylindrical wavefront of the pro-ribbon HF transducer enables a precise pattern control, without any distortion-inducing horn constructions.

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1964 Ears V8

V8 IEM’s from 1964 Ears

The V8 in-ear monitors from 1964 Ears are designed for discerning listeners and tuned with bass lovers in mind. The V8 is handcrafted with eight balanced armature drivers in each earpiece coupled to a three-way crossover that yields excellent sonics. Featuring a Triple Bore design, the V8’s allow for the unit’s high, mid and low frequency sound components to be channeled through separate passages in the sound port.

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