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Buyer’s Guides

One-Inch Compression Drivers Buyers Guide, FOH Magazine, June 2015

One-Inch Compression Drivers

The one-inch exit compression driver rose to prominence nearly 70 years ago, implemented in classic products such as Altec Lansing’s 604 coaxial and the venerable Voice of the Theatre A-7. With the need for higher power handling, 1.4- and 2-inch drivers since became popular choices, although 1-inch designs remain a standard, as an MF/HF driver in smaller speakers and for upper-MF reproduction in larger multiway and line array systems.

To download a PDF of the FRONT of HOUSE June 2015 Buyers Guide, CLICK HERE

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FRONT of HOUSE May 2015 Buyers Guide - Large-Format Line Arrays

Large-Format Line Arrays

The really big jobs, such as stadiums, arenas, festivals and other installs, require sizeable systems, and we offer this look at a selection of large-format line arrays, here defined as systems with dual 12-inch (or larger) woofers.

To download a PDF of the FRONT of HOUSE May 2015 Buyers Guide, CLICK HERE

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FOH March 2015 Buyers Guide - DSP Amplifiers

DSP Amplifiers

No doubt about it — amplifiers are smart and keep getting smarter, with recent models offering an increasing amount of onboard DSP to handle system setup/engineering chores.

To download a PDF of the FRONT of HOUSE March 2015 Buyers Guide, CLICK HERE

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FOH Feb 2015 Buyers Guide - 21 Inch Subs

21-Inch Subwoofers

As with all things in life, sometimes we all need a little extra. And that approach certainly applies equally to sound systems. So if you want to add impact to your system, nothing quite does it like a 21-inch subwoofer.

To download a PDF of the Feb. 2015 FOH Buyers Guide, CLICK HERE:

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FOH magazine Buyers Guide, Dec. 2014, Portable Systems

Portable Systems

Call it what you want — speaker on a stick, or whatever — but portable systems, with their fast, easy setups are the bread and butter of our industry and, combined with a sub or two, can offer impressive performance in smaller venues.

To download a PDF of the FOH Dec. 2014 Buyers Guide, CLICK HERE.

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Drum Mic Kits - FOH Buyers Guide Nov. 2014

Drum Mic Kits

Over the past few years, more and more manufacturers have been offering pre-packaged bundles or kits of microphones selected specifically for drum miking. These range from a few hundred to several thousand dollars, but all offer a grab-and-go package that offers an easy solution with individual transducers matched for the job at hand.

To download a PDF of the Nov. 2014 FRONT of HOUSE Buyers Guide on Drum Mic Kits, CLICK HERE.

 

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Large-Format Digital Consoles

Large-Format Digital Consoles

When it comes to really big shows, sometimes size does matter. We checked out a some large format digital consoles and found models to fit nearly anyone’s needs, especially if your channel count requirements hover in the near-100 (or more) range.

To download a PDF of the FOH Oct. 2014 Buyers Guide, CLICK HERE

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FOH August 2014 Buyers Guide - Earpieces for IEM Systems

Earpieces for IEM Systems

In-ear listening/monitoring systems have made a major impact in the way concerts are presented. A rock-solid wireless transmitter combined with beltpack IEM receivers and accurate earpieces can significantly improve nearly any show or presentation. Not only can performers hear themselves far better than stage wedge mixes, IEM use results in lowered stage volume. With a great IEM mix, the FOH engineer’s task becomes simpler, audience get better sound and artists are happy — a definite example of a win-win-win-situation.

To download a PDF of the FOH August 2014 Buyers Guide, CLICK HERE

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FOH Buyers Guide, July 2014 - Handheld Condenser Microphones

Handheld Condenser Microphones

Dynamic microphones have pretty much been the standard in vocal performance mics for decades. However, if you’re looking for extended bandwidth and fast transient response in a handheld, a condenser mic is just the ticket. With that in mind, we present this look at some current condenser models. All models listed require phantom powering. No frequency response data is given; simply stating that a mic has a 20 Hz to 20 kHz spec is fairly meaningless, and many models include LF or upper mid presence boosts to add character or intelligibility, so a “flat” response is rarely desirable. Weight is often a factor, particularly when using a handheld mic over extended periods with certain vocalists. And MSRP list pricing is listed; microphones are often greatly discounted and “street” pricing can vary dramatically.

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