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Road Tests

The CADLive A77 is based on an 1959 Astatic microphone

CADLive A77 Vocal Microphone

I gotta come clean. I am a confessed microholic and can’t resist checking out cool looking microphone designs — whether new releases or classics. So a year ago, when CAD Audio’s CADLive division unveiled a “reimagined” version of the company’s 1959 Astatic A77 dynamic microphone, as part of its 85th anniversary celebration, I definitely wanted to check one out.

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The EXBOX.BLDS MADI Redundancy Switch from DirectOut Technologies.

DirectOut EXBOX.BLDS

The digital audio age has presented a lot of challenges to the live sound and broadcast industries. One of those challenges is the fracturing and segmentation of different competing digital audio protocols such as CobraNet, EtherSound, Dante, Ravenna, AES67 and MADI, to name a few. A small sub-industry of specialized connectivity companies has appeared over the last decade to address some of these concerns.

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The Yamaha TF Rack, shown here atop the optional TIO1608 stagebox.

Yamaha TF Rack Digital Console

Two years ago, I reviewed the then-new Yamaha TF3 (FRONT of HOUSE, June 2015). I enjoyed the console and I saw Yamaha had a winner on its hands, but there was still some work to be done on the firmware. Fast-forward almost two years, and much has advanced with the TF consoles and with Yamaha digital consoles in general.

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Ashly digiMix24 Live Digital Console

Ashly digiMix24 Live Digital Console

Ashly Audio has a long history building reliable analog mixing and outboard equipment for the professional live sound and installation markets. While the company carries a considerable legacy of analog expertise, Ashly is no newcomer to digital gear; its Ashly Protea DSP processors are world renowned for delivering top-notch sound and seamless integration with control technologies that users can easily navigate.

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Main Screen of the Waves Primary Source Expander Plug-in

Waves Primary Source Expander Plug-in

Over the last several years, Waves has embraced the live sound industry, releasing numerous solutions targeted directly at live sound engineers. Software such as Tracks Live multi-track recording software and hardware like Waves’ SoundGrid Servers, MGO, MGB interfaces and eMotion LV1 live mixer have anchored Waves’ position in the sound reinforcement industry. These are not simply tweaks of plug-ins originally intended for studio use. Instead,

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Ultimate Ears Pro UE 18+ Pro (shown with silver cable)

Ultimate Ears Pro UE 18+ Pro IEM

Ultimate Ears has long been a major player in the in-ear market, having produced more than 100,000 high-end earpieces in the past 22 years. The company was founded by Jerry Harvey in 1995. Harvey left to go off on his own in 2007, and a year later, Ultimate Ears was acquired by Logitech, where UE remains an independent subsidiary to this day, creating handcrafted earpieces in its USA facilities.

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Screen shot shows Waves X-FDBK plug-in interface

Waves X-FDBK Plug-In

As part of its expansion into the live sound market, Waves has released a variety of plug-ins catering to the professional sound reinforcement user. One recent entry in this category is X-FDBK, a feedback detection and elimination tool used to assist the process of ringing out house P.A. or monitors.

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CADLive D88

CAD Audio CADLive D88 Kick Drum Microphone

Once mainly focused on the contracting/installation business (through its Astatic Commercial Audio Products division), CAD Professional Microphones was launched in 1988 as the pro audio division of Astatic to design and manufacture microphones for recording studio and live sound users.

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The Universal Clip kit is offered in hardwired or wireless terminations.

Audio-Technica ATM350a Microphone Systems

Miniature mics are gaining in popularity, particularly in instrument miking applications, where despite their size, they are often capable of delivering big sound. The latest offering in this category is Audio-Technica’s ATM350a Cardioid Condenser Instrument Microphone, which is offered in complete turnkey packages (also sold separately) providing discreet, rock-solid mounting solutions for a host of instruments, including woodwinds, strings, brass, percussion, drums and piano.

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RME Fireface UFX+ Audio Interface

RME Fireface UFX+ Audio Interface

German pro audio manufacturer RME is no stranger to users seeking no-compromise digital audio interface products for studios, broadcasters — and recently — into an increasingly growing number of live production applications. The company was launched 21 years ago with the DAM1 (Digital Audio Monitor) and a PCI recording card and continues leading the industry, constantly improving and expanding the scope of its product range.

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