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Production Profile

Usher tour photo by Steve Jennings

Usher’s North American Tour Closes on a High Note

“It’s involved,” system tech Frank Sgambellone says, of Usher’s “The UR Experience” tour, in what appears to be an epic understatement. “It’s large, and definitely a show — that’s for sure.” By all measures, the 27-date North American arena tour was a huge success, kicking off from Montreal’s Bell Centre Nov. 1 and wrapping up Dec. 14 at Amalie Arena in Tampa, FL. A well-deserved break ensues before starting up again in Europe and the U.K. in February and March.

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The audio crew, from left, include stage tech Alex Bibeau, FOH engineer Andy Meyer, crew chief Colin St-Jacques, monitor engineer Paul Klimson, monitor tech Matt Holden, system tech Étienne Lapre, P.A. tech Marc Blanchard and RF tech Éric Marchand. All photos by Sara Bill.

Justin Timberlake’s 20/20 Experience World Tour

If there’s such a thing as a modern Renaissance man, Justin Timberlake comes pretty close to fitting the description. From his early days as a child star on The All-New Mickey Mouse Club and youngest member of heartthrob boy band *NSYNC to his more recent years as a respected actor (The Social Network, Trouble With The Curve) and Grammy Award-winning solo artist, one starts to get the distinct impression that everything he touches turns to gold. Or quadruple platinum, more likely.

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FOH engineer Dan Heins

Garth Brooks is Back

When F. Scott Fitzgerald famously wrote that there are no second acts in American lives, Garth Brooks wasn’t around to refute that assertion. After officially “retiring” from recording and performing in 2001 — with periodic, strategic breaks to drop a few new singles and one-off shows — he came part of the way back in 2009 with a five-year performance-in-residence at the Encore Hotel and Casino in Las Vegas. Now, with a new deal with Sony Music Nashville and the release of his catalog in digital — something he resisted doing for years — Brooks embarked on a three-year-long world tour in September.

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Crew, left to right: 5FDP FOH Bruce Reiter, Volbeat FOH Mads Mikkelsen, James Oliver from Adamson Systems and system tech Cameron Whaley strike a pose before showtime

Five Finger Death Punch

Global rock heavyweights Five Finger Death Punch (5FDP) quickly rose to fame after the release of their first Album The Way of the Fist in 2007. Since then, 5FDP has sold more than 2.6 million albums in the U.S. and a new single, “Wrong Side Of Heaven” (on the plight of veterans suffering PTSD) has racked up more than 10 million plays on YouTube since Aug. 11.

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The setup for Tom Petty & The Heartbreakers in SAP Center, San Jose, CA. FOH engineer Robert Scovill put EAW’s Anya to the test for the band's 2014 tour. Photos by Steve Jennings

Tom Petty & The Heartbreakers’ Hypnotic Eye Tour

On Aug. 3, 2014, Tom Petty and the Heartbreakers kicked off its Hypnotic Eye tour in support of the group’s new studio album of the same title. The tour was a mix of mostly arena dates, with a few festival appearances, along with a number of outdoor performances, including legendary venues such as the scenic Red Rocks and The Gorge amphitheaters and Boston’s Fenway Park. The two-and-a-half-month tour concluded with two dates at the revamped (and reborn) L.A. Forum in mid-October.

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Vocalist Eddie Vedder getting in close and personal. Pearl Jam photo by Karen Loria

Pearl Jam: Keeping it Real

Pearl Jam rolled into town one October night in St. Louis and filled a hockey arena with remarkable clear sound for a sold-out crowd wanting it old school, and getting it. Like all Pearl Jam tours, while the visual elements are pitch-perfect, lighting and sets aren’t overpowering to the point of distraction. This was all about the music, kicked through an L-Acoustics K1 speaker system supplied by Rat Sound who has been working with PJ for 20 years.

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At the Cynthia Woods Mitchell Pavilion, just north of Houston, Linkin Park FOH mixer Ken “Pooch” Van Druten keeps the house level around 97 dB. Photo by Vic Wagner

The Carnivores Tour: Linkin Park, 30 Seconds To Mars and AFI

Following the recent release of Linkin Park’s The Hunting Party album and 30 Seconds To Mars’ Love, Lust, Faith and Dreams, the three-band “The Carnivores” tour was announced in March of this year and also featured opening act AFI. The 25-date arena and shed tour kicked off in early August at the Cruzan Amphitheatre (West Palm Beach, FL) and wrapped up Sept. 19 at the Concord Pavilion (outside San Francisco). The combination of three great alt rock bands on a single bill led to a string of packed dates, although this three-acts-at-each-stop format provided plenty of work and a need for precise logistical coordination for the mixers and tech staff and a bit more complexity than the usual rock tour.

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The show, staged at the Venetian Theatre in Las Vegas, combines soloists Clint Holmes and Nnenna Freelon, as well as Take 6, a gospel choir and a big band.

Celebrating the Music of Ray Charles in Las Vegas

The brainchild of noted producer (and jazz label GRP records founder) Larry Rosen, Georgia on My Mind: Celebrating The Music of Ray Charles is a tribute to the music of one of America’s greatest musical legends. The show —now running in a six week engagement at The Venetian Theatre in Las Vegas — features a lineup of award-winning stars including Emmy Award winner Clint Holmes, 10-time Grammy-winning vocal group Take 6, six-time Grammy nominee Nnenna Freelon and Grammy award winning sax phenom Kirk Whalum. And to bring the FOH input counter even higher, the show includes the Las Vegas Mass Choir and the Las Vegas All-Star Big Band under the direction of musical director David Loeb.

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Nine Inch Nails tour photo by Steve Jennings

Nine Inch Nails’ Arena-Style Tour Fights the Shed Challenges

It’s been a busy summer for Nine Inch Nails. The band recently wrapped a successful tour with a final performance on August 30 at the White River Amphitheater in Auburn, WA, with the memory of countless sheds, arenas and a lot of festivals in their wake. A talented audio crew of four kept the group sonically together from Europe to the left coast. Audio was provided by Firehouse Productions of Red Hook, NY.

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Asleep at the Wheel 2014 photo by George Petersen

Asleep at the Wheel

Without a doubt, Asleep at the Wheel founder/frontman Ray Benson is a national treasure. While other live music forms seem to espouse all the amenities of “modern production” — Pro Tools backing tracks, drum machines, loops, beatz, flashy lights, video playback, overblown sets, elaborate staging, pyro effects, legions of dancers, multiple costume changes and the must-have flashing strobes that blind the audience — Asleep at the Wheel just shows up and plays. And no “grueling” 20-stop tours, either: these guys (and gals) are on the road doing between 140 and 200 shows a year to packed houses and festivals, leaving audiences cheering for encore after encore.

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The circular arrangement of the various tents and stages helped keep noise bleed to a minimum.

Bonnaroo: It Takes a Village

While the 13th annual Bonnaroo Music Festival included a Friday the 13th, it was nothing but good luck, good music, and good times for the 80,000 music-loving fans that showed up for the Manchester, TN event. With more than 200 acts over four days from June 12 to 15, 2014, including headliners Elton John, Kanye West, Jack White, Lionel Richie, Vampire Weekend and the Avett Brothers, it took several sound companies to make it a memorable festival.

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