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Party On, Wayne. Party On, Garth.

In the world of live sound I have often heard the term "sexy" used to describe certain inanimate objects such as consoles, speakers and effect processors, either singularly or in combination with each other. For example, an engineer said to me that he had seen a Brittany Spears show and that "The rig was great, a very sexy set up indeed." He said nothing at all about the show or the very sexy star herself, but he did give me the whole run down regarding the audio system and the "luscious" sound that was produced by this very sexy system. My engineer friend is inspired by technology and has a passion for audio and all its related components and my assumption is that he uses the term "sexy" and "luscious" metaphorically to describe a desirable system which produces a full sound.

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On The Bleeding Edge

Along with all of the other computerrelated technology we love to play with, synthesizers have planted a strong foot in the world of software. Only a few years ago, software synths were a novelty. Once they caught on, they quickly moved from the studio environment onto the stage. Now many acts are using software synths to augment or replace their hardware keyboards and rack modules for touring purposes. Let's take a look at why, and whether or not this is a good idea.

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Parnelli Innovator Honoree, Father of Festival Sound

All you need to know about Bill Hanley is this: as a kid he fondly recalls a local roller rink. But it's not the fun he had skating with his friends, or perhaps the scene of his first crush he most wants to talk about.

No, it's the speakers he speaks of with precision.

"I was skating every day and I fell in love with the music," he recalls. "There was this organ, and it was played loud with 12 Hammond B-40 tone cabinets and two 20-watt amplifiers with four 12-inch electro-dynamic loud speakers in a rink with excellent acoustics. I would go hear other, bad, sound systems and wonder why something couldn't sound as good as that roller rink."

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Regional Sound Companies Hailed as Hometown Heroes

Let’s have a tip of the glass for the hometown hero, the relatively little guy who shuns the mega-tours and life on the road, and focuses instead on serving the local community for fairs, festivals, theatre in the parks and one-off concerts.

Despite the differences in their respective regions, the number of full-time employees (ranging from one to 100) and length in business (10 years to 60 years), they have much in common. Most started out as musicians and offer a variation on Clearwing’s Gregg Brunclik’s “I started out as a musician but decided I wanted to eat” quip. And they all share a never-ceasing passion for quality sound, razor-sharp survival instincts and most indispensably, a sense of humor.

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Shockingly Good Sound

I'm part of a mid-size audio rental company, we rent for productions and will-call gear. One day a new client called and said, "I need to rent a mic." We said OK, and rented them a SM58. About two hours later the client called and asked us if we were trying to kill her husband.

Confused, I asked her, "Uh, how?" She said that they had plugged the mic in, and it shocked him.

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Taking it to the Stage

Going from the self-proclaimed "kid in the teenage garage band that happened to know the most about the sound system" to a career that includes stints with acts ranging from Earth Wind and Fire and Prince to Brian Setzer and Leann Rimes, Jeffrey "Raz" Rasmussen has been at the console for Michael McDonald for the last dozen years.

"By the time I was 15, I had put together a P.A. with my friend and we started to rent it out to other local bands when we weren't playing. I started to mix some of the shows, and the rest is history. I would mix many local bands whenever I wasn't playing. I worked at music store when I was 18 and started to do sound system installs. The next year I got hired by Speeda Sound, worked there for about two years, then moved to L.A. where I went to work at Studio Instrument Rentals running the audio department. I've also worked at NBC, Nickelodeon, Schubert Systems, Electrotech and even AVHQ."

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What's New(s)?

I have now rewritten this column three times. Every time I try I end up covering too much ground and just rambling. This is the last shot. In the past few months I have been involved in a number of conversations and situations that all forced the same basic question: What is news?

The easy answer is to quote Reuven Frank, the one-time head of NBC news who said, "NEWS is what someone wants to suppress. Everything else is advertising." That statement is at once overly broad, confrontational, outmoded and completely true. And smart marketers both know and take advantage of it.

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Give God Great Sound – He Can Afford It

Don't think of it as church. Instead, think of it as a media center with the ultimate, eternal, all-access laminate. Any sarcasm here is tempered by a very serious reality: houses of worship have become big business in the U.S. and increasingly around the world. The American Christian fundamentalist movement has been the prime force behind the trend, the epitome of which are mega-churches, such as the now-famous tabernacle of Joel Osteen and his evangelical and highly telegenic family, who broadcast weekly from what used to be the Houston Rockets arena in Houston, where they fill the seats more consistently than most NBA teams can. (See the FOH Interview with Lakewood audio chief Reed Hall)

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Teaching Mic Technique

As self-proclaimed audio experts, it is our duty to learn the ins and outs of how microphone elements work, and how best to use them. Even though we are not Diva or Mister Ego vocalists, we should know how to work the mics. This is especially the case in house of worship (HOW) situations where most of the speakers and singers are not professionals. So let's get on with teaching the teachers.

The Mic Fits The Task

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Welcome to the Jungle

John Shivers is one of the busiest soundmen on Broadway, even though he's not frequently there. He was associate sound designer for Aida, The Producers, and Hairspray, the sound designer for 700 Sundays, In My Life, and the new Tarzan, and also productions of The Producers, Hairspray, and The Lion King around the country and across the globe. In fact, when he chatted with FOH recently about Tarzan, the newest Disney production to hit the Great White Way, he was getting ready to go to Shanghai to relocate the Australian production of The Lion King, then check on that same show in Hamburg and London, perform a preliminary survey for a Tarzan production in Holland, then fi nally do preliminary associate design work/research on Mary Poppins by visiting the running London production before opening it in New York later this year with sound designer Steve Kennedy.

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The Collection Plate Quandary

I am a small sound company owner and I also work as a volunteer on the sound crew at my church. My problem is that my church is planning an outdoor concert event and I have agreed to provide the production support for the show, with the understanding that I would be paid for my services. While attending a concert planning meeting, we were discussing all the different aspects of the event including some sponsorships that we plan to get from local businesses. At this point in the meeting, someone turns to me and says, "Hey, you could donate a thousand dollars as a sponsor and bring your equipment for free. You'll get your name on the back of the t-shirts we're having made." This put me in a very awkward position. While I generally do my part to support the church financially, I'm still trying to run a business and make a living here. I'd like to help, but I'm already thinking about my expenses on this show. What do you suggest in this situation?

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Bach Behind the Board

Why in Heaven's name would anyone want to spend huge amounts of weekly tithing to install a State of the Art (SOTA) sound system into a house of worship? Better yet, why on earth would any house of worship deem it necessary to get into the sound reinforcement/concert business? Is it all just pomp and circumstance, a vanity stemmed from coveting a neighboring congregation's techno wizardry, or is there a higher purpose?

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