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Parnelli 2007 Audio Innovator: Bob Heil

From P.A.'s for The Who and The Dead to Talk Boxes for Joe Walsh and Peter Frampton, to the Rock and Roll Hall of Fame. It is All Based on a Love of Music, Between Hearing and Listening.  

No one seems more surprised at Bob Heil’s success than Bob Heil.

Wide-eyed, a face pre-amped with a perpetual smile, the over-caffeinated Dr. Pepper-swigging Heil is that rare breed who is as liked as much as he is admired. Peter Frampton calls him one of the most sincere guys in the business, and in a business that is often short on sincerity, it is perhaps the highest compliment.

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Is There Integrity at the Mall?

The band was Korn, and the record label decided to hold a press conference on Military Island, which is a tiny triangle of real estate in the middle of Times Square. Someone in marketing had the brilliant idea of creating a corn field, for obvious reasons I suppose, complete with bales of hay. All was going well until the mounted police arrived and couldn’t keep their horses from snacking on the aforementioned bales of hay. Not a disaster by any means, but I’m sure that the label’s marketing department did not intend to have the New York mounted police and their hungry horses in the cornfield with Korn as they held a press conference in Manhattan. And so it goes with the best laid plans.…

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Hearing the Light

Back in the early 1990s when Alesis introduced the first ADAT machines, I wonder if their development engineers envisioned how important those tiny optical ports on the rear panel would become to the pro audio world. The ADAT optical I/O has not only been adopted by countless other companies as a means of multichannel digital audio transport, but has paved the way for more comprehensive forms of fiber optic transmission of digital audio.

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The Long Tail

By now most people are familiar with the concept of  “the long tail” — Wired magazine editor Chris Anderson’s digital-era economics theory that busi-nesses with significant distribution capability — like online businesses — can sell a greater number of items at small volumes than of popular items at large volumes. Anderson argues — and not many people have argued back — that products that are in low demand or have low sales volume can collec-tively make up a market share that rivals or exceeds that of the relatively few current bestsellers and blockbusters, if the store or distribution channel is large enough.

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Pollyanna Has Nothing on These Guys

Brian: So here’s what I want to know: You’re already all set up and you are in the rehearsal, and everything goes downhill from the word go. And none of it is your fault — it’s the client. They are beyond unorganized. You realize that you really don’t want to do the show. It’s going to be a disaster, but you’re already in too deep. What do you do? 

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Neutrik

Who: Neutrik USA, Inc.

What: Neutrik is a provider of professional entertainment connector systems. The products includes XLR connectors, plugs, jacks, speaker-connectors, data-connectors, patch-panels, power-connectors, BNC connectors and special connectors for industrial applications. From rock bands to lighting design, industrial equipment to broadcast studios, Neutrik provides connectivity solutions for almost any industry.

Where: Lakewood, New Jersey (USA HQ).

When: Founded in 1987. 

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Mic Selection and Placement

What to do before you reach for the EQ

As usual, I enjoyed reading Mark Amundson’s May 2007 FOH “Theory and Practice” article about the EQ strip. The article was well written and informative.

However, the subject matter really cried out for a prequel article. An EQ is, in a cosmic way, a distortion device. It distorts the harmonic order of a sig-nal. Also, on analog EQs, the circuits use phase shifting in their designs — coloring sound by smearing, so to speak. Many engineers hear something they don’t like and immediately reach for the EQ knob as a cure-all — sometimes with good results, sometimes they get frustrated. There are other solutions… 

 

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Power Distribution Safety

New union regs and electrical shock make strange bedfellows.

If you have been in this industry for a while, you know that credentials for doing safe power distribution tie-ins have been given the wink-wink, nudge-nudge by most production staff. While you should be holding an electrician’s license or better, a free pass has been implicitly given to those individuals who look like they know what they are doing. But I bet if you surveyed a large sample of local and regional sound companies, hardly anyone on staff is a licensed electrician; however, about half the crew has done unlicensed power distro tie-ins.  

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Is it live or Is It Installed?

Trade show trends point the way to audio convergence.

Usually, right around the middle of day three of most trade shows, someone will bring up the idea of making such shows into virtual enter-prises, with products and services up on the Internet for all to see after attendees validate their online registrations. Day three often finds plenty of minds and feet receptive to the idea of going virtual — even the inevitable post-show soirées could be handled by creating a virtual Michael Todd Room at one of the MySpace-like social networking sites. The huge amounts of money saved on airfares, hotel rooms and booths could be put into R&D and salary increases. 

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Let’s Play Catch Up

Making good on all those promises

Since I began writing Sound Sanctuary, I often claim that I will get back to you on the results or the effect of a particular plan or project. Well, my friends, this is the month that I will make good on all my promises and catch you up on all the things I have written about. There is one small thing, in order for you to get the most out of this article, you will have to be familiar with the subjects I have been covering over these last months here at FOH. If you are not, you can check out the archive of issues at fohonline.com. 

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TC Electronic M350 Dual Effects Processor

Back when I reviewed the TC Electronic M300 Dual Effects Processor, I made it clear that the M300 spelled the end of Yamaha SPX90’s reign as the utility effects processor for instrument effects. Now, TC Electronic has upped the ante with the M350. The latest processor includes 15 new re-verb algorithms and multi-effects. An AU/VST compatible software editor to fully automate parameters and presets for Digital Audio Workstation (DAW) use seals the deal. Having fallen in love with the simplicity and sound quality of the M300 — from my perspective — the M350 has unexpectedly promised and delivered on its goodness. 

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