Made in the USA by a Bunch of Fanatics" isn't just a bunch of marketing at Lectrosonics, which has been celebrating its 40th year in 2011. It's what helped the company get its start, and the energetic engineering and pioneering spirit of innovation continue. The philosophy and business plan is simple: "Build the best product we know how to make, and support it with the best service we can possibly provide."
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Turbosound's new TFS-900H Flashline is the first true four-way line array enclosure of its type, using cone drivers dedicated to reproducing vocal midrange frequencies in keeping with Turbosound design philosophy, working them within a narrower bandwidth to maximize power handling and improve performance over three-way systems.
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Subwoofers are arguably the most popular, visceral, and fun topic in all of pro audio. The classic vented loudspeaker enclosure makes a great entry point into the world of building loudspeaker enclosures. Building a cabinet, wiring it up and then hearing the beast rumble to life is an extremely rewarding experience. We will help prepare you to "make sawdust" with the drivers in this month's Buyers Guide.
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There's no denying it: Spider-Man: Turn Off The Dark is a monster musical on every level, from the massive lighting rig to the extensive projections to the booming, heavily layered sound design. Taking the gargantuan $75 million production from conception to execution has been quite a challenge for everyone involved, and it event underwent a last-minute reboot to transform it from an admirable but complex show into a more streamlined, tourist-friendly piece.
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AV Pro Inc. Upgrades Sound along with Lighting and Rigging at TSU/San Marcos' Mainstage Theatre
When Texas State University/San Marcos first opened the doors to its castle-like "Old Main" building in 1903, the 300 new students didn't have to spend much time located the structure on the university's campus. It was the only building on campus.
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Bret Dowlen has spent more than 30 years building sound systems, creating synergy between components and generally making the whole greater than the sum of its parts.
"It doesn't matter if you hire us to do one show, a tour, or an entire sound system installation, you will always receive the same level of engineering and attention to detail that I've built this company's reputation on," he notes.
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ML Executives of Kent, England successfully completed Iron Maiden's 2011 world tour in support of last year's critically acclaimed, Grammy-winning album, The Final Frontier, providing the "universal" package, as well as a complete Eastern Acoustic Works KF760 line array system with the new flown SB1002 subs for the stadium and arena shows in Florida and Europe. Managing Director Gary Marks' production company has been servicing the British metal veterans for the last decade of their three-dozen years on the road.
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The third installment in this saga of simple pranks escalating into mayhem follows two other "Nightmare" installments: "The Game's Afoot" (Aug. 2011) and "Bottle Rockets and ‘Snow'" (Sept. 2011). The grand finale will be next month. (Hint: It has something to do with superglue.) -ed.
Read More »What's more rare than a legislative compromise in Washington, DC? Other than unicorns, it might be the audio engineer who occupies both live sound and recording studio roles for the same artist clients.
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When I first loaded Waves Live onto my Avid VENUE console, my primary goal was to discover a compressor that exerted subtle dynamic control while adding strength, body and drive to the three rawest and most elemental sounds in a rock performance – kick drum, bass guitar and electric guitar. To be sure, I had my favorites in the analog world, but I had not yet found a plugin that knocked my socks off for these particular applications.
Read More »It has been about two years since I wrote on compressors. I am re-addressing this subject because, in the last two years, I have learned a lot about the use of this piece of outboard gear, and I would like to share that information with you all. I think of myself as a sound expert, but that doesn't mean I am not constantly striving to improve my audio techniques. Very much like faith, audio is not stagnant. We should all be learning more and honing our skills as long as we are in the biz.
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Several times over the past few months we've briefly mentioned the idea of modulation as an effect parameter. Now it's time to take a closer look. Modulation is often applied to delay for creating a wide variety of time-based effects, such as flange and chorus. The word "modulate" means to change, and in this case, we are referring to a change in delay time.
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