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Midas PRO2 and PRO2C

Three years ago at London's PLASA show, Midas introduced the PRO6. Last year, they brought the PRO3 and PRO9, with full compatibility and an upgrade path. At that time, Midas also released the fixed-format DL251 stage-box, the heart of the PRO3, offering the functionality of a Heritage 3000 at a cost-effective price point. This year, Midas introduces the PRO2 and its more-compact cousin, the PRO2C, bringing near-PRO3 functionality down-market, using the same 100-meter 48 x 16 AES50 digital snake.

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Lab.gruppen E Series Amplifiers

Lab.gruppen made its mark on the world of amplifiers with clean and highly efficient Class TD designs combining Class D efficiency with Class B sonic purity and driven by an optimized Regulated Switch Mode Power Supply (R.SMPS). Five years ago, Lab.gruppen introduced the C Series of 4- and 8-channel lo-Z and hi-Z installation amplifiers ranging from 125W to 2200W per channel.

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Waves PuigChild 660 Compressor: The Taming of the Shrill

In the execution of live mixing art, one of the roles an engineer is required to fulfill is that of problem solver. In that capacity, it is necessary to experiment with very specific tools to implement the best possible solutions for each unique task. One recurring challenge has been dealing with instruments that sound great most of the time but demonstrate undesirable characteristics when played louder or higher in frequency. In other words, they get shrill and lose their more pleasing aspects. In my recent experience, two examples immediately come to mind – the high strings of a violin amplified through a piezo pickup, and the thinness of higher-pitched flute and piccolo sounds.

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Practical Bidding

I want to share some of my ideas about bidding (and getting the contract) on a worship sound system. I realize that many of you don't do installs or bid on installations. However, at some point, every house of worship will need new gear and, possibly, an entire makeover. So it is very likely that you may be asked for your recommendations on what piece of gear or entire system will serve your house's needs best.

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Pardon the Delay

In last month's T&P, we examined reverb and some of the ways that you can manipulate it for maximum effect (pun intended). This month, we'll dive into the bouncing world of delays and how you can use them to enhance your mix. As we did with reverb, let's briefly revisit the parameters available in a typical delay, whether it's hardware or software.

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Vertical Integration’s Horizontal Swing

We've seen plenty of merger and acquisition activity in the live sound sector in the last several decades, but the vast majority has been of the vertical variety: larger live sound companies consuming smaller ones, or equals finding common ground, mainly with the intentions of growing market share and minimizing competition, the classic motivators for M&A activity. The acquisition of Showco by Clair Brothers in 2000 was a classic example, creating the largest sound reinforcement company in the world.

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Jibbertalky

I spend my days taking requests for a variety of equipment. From audio and lights to backline, tents, video and anything else pertaining to production; the requests keep coming in. All too often, these requests come from people who are not necessarily in our field and, therefore, certain requests employ malapropisms, misnomers, misspellings and just plain typos.

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