An engineer with whom I shared mixing responsibilities had an interesting way of seeing and expressing the technical world in which we audio people exist. To him everything was “sexy” or had “sex appeal” and, depending upon his own personal interpretation, a good mix, or great sounding reverb, was either of the two. While I never quite understood the difference — or if there were one — I would like to believe that he was speaking metaphorically and not literally about objects and things that are sexually neutral. Regrettably, in this ever-expanding world of strange that we call home, I am hard pressed to assume anything about my fellow man despite my unflagging optimism. Regardless, his “sexy” descriptions of sound equipment and their associated sounds confused me at first because as much as I enjoy and like certain audio gear, my lustful urges are oriented elsewhere.
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