The down-easter phrase, “You can’t get there from here,” is a familiar one to anyone who’s ever asked for directions on a back road in Maine. Unfortunately, it’s becoming more recognizable to touring music artists as well, in recent years, and it’s not exactly music to their ears.
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An ongoing struggle facing all live sound engineers is the impact of poor room acoustics on their mix. All too often, we find ourselves mixing music in spaces not intended for live music, or spaces designed for live music with minimal concern for acoustics. Sometimes we mix music in theaters that, once upon a time, were acoustically designed for unamplified music, the favorable properties of which go out the window once a PA is brought in-house.
Read More »For many of you, this month’s installment may seem a little redundant, as I’ve written about this subject in the past. But before you turn the page, hear me out. Our main job as audio technicians is to make the service sound as good as it possibly can. In reality, almost all my Sound Sanctuary writing is designed to that end. Making great sound is important to me, as I am sure it is for you.
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Audio, music, baseball and girls are pretty much all I think about — and not necessarily in that order. Well, not really girls (since I’m married), but something just like it. Believe me, I’m not trying to imply that I’m shallow but… Okay, I’m a superficial scum, so sue me, but they do all go together, although maybe not in this article. So just for expediency, if I forget about the girls, it leaves audio, music and baseball.
Read More »Once upon a time and long ago, most of us were enticed into becoming sound reinforcement professionals. Of course, at the time, few of us realized that this meant taking a lifelong oath of poverty (we’re never paid what we’re truly worth) and abuse — when it’s right no one notices; when something’s wrong, it’s always our fault. But we love what we do and stick to it in spite of any such minor trivialities.
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HONOLULU — It’s not often a sound company is asked to specify a full PA system and backline for a U.S. Navy aircraft carrier, let alone to look after it on its cruise from Hawaii to San Diego, but that’s exactly what Southern California-based audio providers Mambo Sound and Broadcast Support were tasked with last month, and they chose dB Technologies for the job.
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A Conversation with FOH Mixer John Cooper and Solotech’s Mario Leccese
A Bruce Springsteen tour isn’t just an event; it is a movement celebrated by fans in packed venues around the world. And in an era when groups are scaling down with smaller ensembles, acoustic shows and looking at “more intimate” venues, Springsteen brings his own version of intimacy to stadiums and arenas, staying just as much in touch with audience members in the front row as the people in row YY on the second deck.
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It’s always best to have a separate monitor mix system and a dedicated monitor engineer. But let’s face it — what you want and what you get are often two completely different things, and in many smaller venue/smaller budget gigs, those two jobs will be handled by the same person… namely you.
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Neodymium (Nd) is one of the chemical elements employed for the high-strength, permanent magnets in high-output/low-weight loudspeakers. Over the past several years, the small, tight-knit pro audio industry has seen volatile neodymium price changes on the global commodities market. And with Nd becoming an important component of modern, high-performance loudspeakers (particularly in flying systems), this price volatility has created uncertainty in end-user pricing of loudspeaker systems.
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A World-Class Performing Arts Venue in Las Vegas
The mere mention of the words “Las Vegas show” usually conjures up a few images. Yet what probably doesn’t come to mind is a stand-alone, performing arts center serving as a home to the Las Vegas Philharmonic and the Nevada Ballet Theatre, a Broadway touring house, classical music venue, jazz speakeasy and rock or country roadhouse. The new Smith Center for the Performing Arts aims to change all that, and to place Las Vegas alongside Vienna, Paris and New York as a city with a world-class performing arts center built for the ages.
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Innovation — and being first to break new technologies — isn’t always easy. History is filled with examples of pioneers who dared to try something “different” and out of the ordinary, when, years later, their principles were eventually accepted as the industry norm. And such is the case with L-Acoustics founder Dr. Christian Heil, who presented his research on Wavefront Sculpture Technology™ (WST) at the 1992 AES convention in Vienna and followed that up with the debut of the revolutionary V-DOSC line array two years later.
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Radial Engineering has earned an enviable reputation for the performance of its high quality direct boxes, Now from Radial comes the JDX Reactor™, a guitar amplifier direct box that takes a new slant to capturing guitar tones onstage.
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