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Jamie Rio

Monitors, Monitors, Monitors

It is very common to see the use of in-ear monitors in many houses of worship today. That said, I still want to have floor wedges on my stage when I am mixing, in-ears or not. I don’t think I am so old school that I need to have floor monitors in my mix. I just believe that wedges provide a different way for the band to hear the mix and interact with each other. I am a fan of traditional floor monitors, but not to the exclusion of in-ear monitors. This month’s installment of Sound Sanctuary is not floor wedges versus in-ears. If anything, I want to celebrate floor monitors and the joys of mixing with these speakers.

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Illustration by Andy Au

Skills for the Brave New (Audio) World

Years ago, I used to remember phone numbers and addresses of all my friends, relatives and business associates. I also had a fairly good internal databank of their birthdays, anniversaries and other special occasions. I kept most of my appointments and gigs in my head, and I was fairly adept and remembering detailed instructions and directions that were verbally conveyed to me. I had a good memory for recalling certain movies, music and sports trivia as well as having a decent knowledge of historical fact, which I could recall at any given time. I must admit that I finally bought an address book/organizer when I became really busy, but I still kept the most pertinent information in my head.

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2009 Parnelli Audio Innovator Stan Miller presented Mark Engebretson with the 2013 Parnelli for audio innovation.

2013 Parnelli Gala Shatters Attendance Record; Dazzles, Inspires

If you weren’t among the record-breaking crowd of nearly 700 top industry pros attending the 2013 Parnelli Awards there, you really should have been. The 2013 Parnellis had it all — there were jokes about the crazy world that is live events, honors and accolades given the amazing talent who excel in their field this year, and even some quiet moments of remembrance of those who have passed.

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Mo Morrison at the 2013 Parnelli Awards. Photo by Adam Kaplan

Mo Morrison Inducted into Parnelli Hall of Fame

Veteran concert touring entertainment professional Mo Morrison was the inaugural inductee going into the newly formed Parnelli Hall of Fame. Morrison, sometimes known as “Momo” or “Uncle Mo,” has spent the past 40 years working in the concert touring and event production industry with much television work along the way. Currently,  Morrison is the tour director for Lady Gaga worldwide, handling all touring, television and promo presentations.

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Catch George’s editorial commentary at www.fohonline.com/foh-tv.

We Won’t Get Fooled Again

Somebody out there doesn’t like us. Actually they like part of us — the wireless spectra many of us have been using for our RF mics, intercoms and IEM’s — and they’re bringing some deep pockets to the table to make sure we get left out of the picture. But to be perfectly fair, that statement isn’t quite accurate either, because what AT&T, Verizon, Sprint and other wireless services providers are currently lusting after is what’s known as the 600 MHz band. Occupying the 608 to 698 MHz — the previous UHF TV channels 36 through 51 — these are destined to wind up on an FCC auction block in 2014. This of course, follows directly on the heels of the FCC’s previous “reallocation” of TV channels 52 to 69 (the so-called 700 MHz band from 698 to 806 MHz) in 2008, from which we were summarily kicked out of after June 12, 2010.

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The 5,200-seat arena was equipped with gear from ISP Technologies

SECU Arena Gets Line Array Solution

SECU Arena is Towson University’s new 5,200-seat state-of-the-art athletics and entertainment venue in Towson, MD. Although primarily for sports, the multi-purpose venue is also designed to host concerts, meetings, commencement ceremonies and conventions. Key to the success of the new venue was the sound system, which had to provide both high-SPL, full-response reproduction for music events, as well as excellent detail and articulation to maximize intelligibility in the large space.

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