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Installations

Oh, What a Job!

When Does a Tour Turn into an Install?

The LaSalle Bank Theater in downtown Chicago is a grand old house in the Broadway tradition. It opened in 1906 as the Majestic Theater and, for many years, was a prime stop on the Orpheum circuit. The theater went dark during the Depression, but was taken over by the Shubert family fol-lowing World War II. For years, it housed Broadway shows, both on tour (Cats, A Chorus Line) and on their way to Broadway (Spamalot, Sweet Smell of Success). In 2005, the theatre closed for a multimillion-dollar restoration project and reopened in 2006 to great acclaim. This October, it became the home of the Chicago tour of Jersey Boys.

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We Want Our Own P.A.

Smashing Pumpkins Install Their System into the Legendary Fillmore Auditorium for an Extended Run

As one of the most legendary venues in the land, The Fillmore in San Francisco has hosted many of yesterday and today’s music legends. Pick your era, pick its definitive band and the odds are they have performed on the hall’s hallowed stage. So, it made perfect sense for the Smashing Pumpkins to reintroduce themselves to fans during an 11-night run at The Fillmore.

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Going to NEW JERSEY, Just for the VIBE

The community’s response to the closing of the John Harms Center in 2003 was swift and not positive. In fact, citizens from around northern New Jersey joined to let the powers-that-be know that they wanted a local regional arts center to serve the cultural needs of the area.
 

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Rolling Hills Is Alive with Music

One modern church gets maximum sound for a minimal cost.

When the members of the Rolling Hills Christian Church started to discuss a multipurpose room built with top-notch audio and video gear to help them reach out to the community, Mark Thompson, principal of Clarity Audio Systems, was tapped for his expertise. 

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Applauding the Ovation

An intimate room gets the star treatment.

Jeff Thompson has what they call in the business a conversation stopper. He’s used it a couple of times now while working with tour managers who are advancing a show at the Ovation Lounge in the Green Valley Ranch Resort in Las Vegas, where he serves as the entertainment production manager. “They’ll ask me what kind of boxes we have, and I tell them L-ACOUSTICS KUDOS,” he said. “Then they ask about monitors, and I tell them that we have L-ACOUSTICS 115XT HiQs. Then we get to desks, and when I say Midas XL8s, everybody pauses and asks ‘What do you mean, XL8s?’ And I say, ‘At front of house and monitors I have XL8s.’”

Always throws them for a loop. 

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Dive in the Desert, Find a Pearl

The High-Stakes Game of Vegas Entertainment Takes on Another Player in the Palms.

Las Vegas suffers from no shortage of performance venues. Throughout its history as a resort destination, performers have made their way to Vegas to play any one of the many hotels and casinos that call Sin City home, but the Palms hotel and casino has upped the ante with the addition of their new venue, The Pearl.

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Pepping Up Petrillo

An outdoor amphitheatre whose origins date back to 1935. A big-city government that, appropriately, isn't keen on wasting the taxpayers' money. A venue that needs to suit the definition of diversity: from an international blues festival to the symphony; from Aretha Franklin to the Dalai Lama.

Oh yeah — it's also real windy.

It's Chicago's famed Petrillo, located in Grant Park, and home to the Chicago Blues Festival, Chicago Jazz Festival, Taste of Chicago, Viva Chicago, Celtic Festival and World Music Festival — all of which were attended by a combined total of more than one million people last year. Located right off the harshness that can be Lake Michigan, it is within a proverbial stone's throw from homes, making noise pollution a real issue as well. Yet a new install by Chicago Sound using SLS line arrays left everyone happy.

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Do the Math

[Editor's Note: At FOH, we find very few things more valuable than a combination of knowledge and passion. So, when we have a passionate, knowledgeable reader with something on his or her mind, we try to find space to print it. In the coming months, you will see more of this kind of content on the fohonline.com Web site and in some new electronic projects we are getting ready to unveil. In the meantime, check out what one reader has to say about stadium sound systems.]

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Still Signature Cirque – 6000 Shows Later

In the relatively complex audio world of live performance theatre and non-touring based performances, Meyer Sound has emerged as the loudspeaker of choice. But in the late '80s, it was a different story. In the late '80s, CD players were just taking hold, iPods were sciencefiction conceits and the Rolling Stones were the biggest touring act out there. OK, so that last one hasn't changed, but just about everything else in the world of live audio has. Got digital?

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Giving Guitar Gods Their Due

Seventy inputs– most of them guitars–are a big enough challenge for any live engineer. Now factor in all of this: Those guitarists are all world-class players doing a show that tracks the history and influence of the guitar. The mix of players changes over the show's three-day run and range from acoustic-based classical and bluegrass to the searing electric vibe of Albert King and Eric Johnson. The show is seen as a possible "audition" for a theatrical run and is being recorded for a DVD. Oh yeah, and you are mixing in surround on some gear that is seeing its first public use in this country.

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Taking the Choir Out of the Tabernacle

What room is so large that a 350- voice choir: is so far from the podium they can't hear the conductor; is 45 feet back and 12 feet above the orchestra; can't hear the orchestra (and vice versa); sings directly in front of a pipe organ whose ranks and pipes can overpower a room with seating for 21,000?

If you said the Conference Center of The Church of Jesus Christ of Latter-Day Saints then you are correct!

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Feel the LOVE

LOVE, the latest production from Cirque du Soleil is a collaborative effort between the Cirque and Apple Corps. The show features original Beatles tracks from master tapes at Abbey Road studios prepared specifi – cally by Musical Directors Sir George Martin and his son Giles Martin. "We wanted to make sure there are enough good, solid hit songs in the show, but we don't want it to be a catalog of 'best of's'," said Sir George Martin. "We also wanted to put in some interesting and not well-known Beatles music and use fragments of songs. The show will be a unique and magical experience."

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