Installations

Long before Le Poisson Rouge opened its doors this past summer, the building located at 158 Bleecker Street in Manhattan was home to the legendary Village Gate. It was at this club where Jimi Hendrix, Jim Morrison, Ella Fitzgerald, Charles Mingus and Allen Ginsberg performed their magic until it closed down in the late ‘90s.

The Horseshoe Casino is more than just a riverboat with a $70-million theater install, bringing top echelon acts to The Venue.

The Horseshoe Casino has been rocking for years, since it’s been one of the most popular resort and casino destinations in the Chicago area. Yet, it’s only since The Venue opened earlier this year that the Horseshoe has been rocking, rolling, shaking and shimmying.

With a history of more than 100 years, Chicago’s Ravinia is unlike any festival out there.

Most festivals are just shows with a few more acts and a somewhat longer run. But Chicago’s Ravinia is not just another festival. Opening in May and ending in October with multiple acts almost every day, it is really more of an install — kind of semi-temporary, but an install all the same.

David Lawler and Craig Doubet put their touring chops into HOW installs.

Putting a system together for a tour is one thing. All the equipment has to be flexible enough to consistently work in acoustically challenging rooms; it has to go up and down easily and deliver quality audio. This challenge, for some, is daunting, especially with the pressure of thousands of expectant fans who surround the FOH position nightly.

Signature Audio completes major sound renovation at Ball State’s Emens Auditorium

When the phone rang in October, Sam Walton had no idea that the opportunity of a lifetime was just a short conversation away.

Walton is the senior manager of Signature Audio Systems — a professional audio services company out of Wixom, Mich.   In the five years of the company’s existence, he never expected a call that would not only change the face of Signature Audio, but lead to one of the biggest installs of 2007.

Bartlesville Community Center completes extensive audio system revitalization.

While Bartlesville, Okla., may not find itself included in the same sentence as New York or Los Angeles when one discusses performing arts venues, the city’s main cultural facility is at the cutting edge in every sense of the word. This vibrant community of roughly 35,000, some 47 miles due north of Tulsa, is home to the Bartlesville Community Center, a positively stunning complex designed to provide cultural and educational opportunities for the city.

Modesto has a symphony? Who knew?

The Gallo Center for the Arts is a shiny gem in the Central Valley of California, satisfying a need for performing arts in the Modesto community. The center, which opened in September 2007, is home to four resident companies including the Central West Ballet, Modesto Community Concerts Association, Modesto Symphony Orchestra and Townsend Opera Players. With two performance spaces — the 1,250-seat Mary Stuart Rogers  theater and the intimate 444-seat Foster Family  theater — the center is also designed to accommodate a variety of performances, from touring Broadway productions to rock ‘n’ roll concerts. “We’ve seen everything from symphonic and acoustic performances all the way up to Broadway shows and pretty much everything in between. We’ve seen ballet, contemporary dance, even break dancing,” says Brian Svoboda, sound engineer at the Gallo Center for the Arts. “It really is an answer to a call for performing arts in Modesto.”

New install for prestigious music school had to be “beyond reliable.”

It’s hard to imagine a room that sees (and hears) as much music variety as Berklee College of Music’s Performance Center. The space, the largest of five performance centers on campus, is host to at least 200 events a year, which cover everything from classical to electronica, jazz to hard rock, bluegrass to hip-hop, and even delves into the world of avant guard.

IET takes on a rider-friendly install on a budget

When it comes to a mecca for the hottest nightlife, Winnipeg probably isn’t the first place that comes to mind. But with the debut of Blush Ultraclub, its reputation is quickly changing. The sexy and sophisticated nightclub, which holds up to 1,000 patrons in its 19,000-square-foot space, is the result of the city’s downtown revitalization program and a multimillion-dollar renovation. The venue had been vacant for the past 10 years and its renaissance serves as the center of the downtown’s west end transformation. Its ideal location across from the MTS Centre attracts a crowd of clientele after concerts and sporting events. As part of Blush’s massive inception, Integrated Entertainment Technologies (IET) was awarded the project to install a new sound system that could provide smooth transitions between the club’s live entertainment and DJ-mixed dance music.

“We need a world-class install. Oh, and you only have 18 months. Is that a problem?”

When the phone rings at IPR Services, the company’s Owner Bob Patrick expects to hear a challenge. After all, IPR has been at the helm for some of the most interesting install projects across the globe, including The Mirage in Las Vegas, Staples Center in Los Angeles and Makkah Mosque in Saudi Arabia. Still, he wasn’t quite prepared when he heard that he only had 18 months to get the design and install done for the brand new 7,100-seat Nokia Theatre L.A. Live in Los Angeles.

Getting the audio under control at Glendale, Ariz.’s Jobbing.com Arena

So, Neil Rosenbaum hears the phone ringing in his office one day last August and his boss is on the other side. The Jobbing.com Arena production manager picks up to hear the order to completely revamp the audio system. Good news. Bad news? It’s got to be done by Oct. 4 when the arena’s prime occupant, the Phoenix Coyotes of the NHL, opens its season.

La Fe en Jesucristo Church Embraces the Music

With an energetic congregation and 10-piece band, the La Fe en Jesucristo Church attracts international attention. Despite its location in a small Hispanic neighborhood of Kansas City, Kan., well-known Hispanic Christian bands regularly visit the church to perform during worship services. When the church moved into a larger facility (the church consolidated its worship facility from a previous two locations to one), Church Trustee Noe Aguilar wanted a state-of-the-art sound system to accommodate the array of culturally diverse music, which includes everything from heavy metal and rock to soulful tenors and traditional hymns. “We didn’t have the space and we didn’t have the sound system,” says Aguilar. “We had to rent auditorium space and equipment to accommodate the different styles of music. This time around, we wanted a concert-friendly church.”