If the recent presidential election taught us nothing else, it’s that data has replaced content as the king of media technology. No matter how good a show could potentially be, if you suddenly discover that the FOH console you were expecting to use for it is lying in pieces on the wrong end of a loading dock 2,000 miles away, it’s not the missing faders you’ll really be stressing about but rather the missing information, like channel labels, phase, delay, filters, EQ, inserts, compression ratios, gate thresholds, aux sends and masters settings that those faders would have been accessing.
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