SAN JOSE, CA — The International Space Orchestra, comprised of space scientists, performed a concert called Ground Control: An Opera in Space. For that Sept. 13 event, and also for a film documentary covering it, Lectrosonics wireless gear played a key role.
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MILTON KEYNES, U.K. — For Wonderworld, a 1,800-capacity multi-themed nightclub, Mark Dorney, a systems engineer working on behalf of Nightlife Consultancy, opted for an audio system that includes a variety of gear from RCF, ranging from TT+ subs for one of the main dance floors to pairings of compact and discreet Acustica C3108/S4012 loudspeakers/subwoofers for other areas.
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BUSAN, South Korea — Kang-dong Media worked with Adamson Systems distributor Sound Solution on the sound system installation for the 841-seat Open Sky Theatre within the new Busan Film Center here. The multipurpose performing arts hall has been equipped with nine SpekTrix 3-way enclosures hung below four SpekTrix double 18” subwoofers, with an additional three SpekTrix W 15-degree boxes under-hung, left and right, of the main screen and stage.
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NASHVILLE — Jason Spence and Tom Pesa, monitors engineers for the Country Music Association (CMA) Awards Show that aired Nov. 1 on ABC, relied upon Shure PSM 1000 personal stereo monitor systems for most of the live performances that took place at the Bridgestone Arena in Nashville, including Little Big Town, pictured here.
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The entire staff around here has been up to our elbows this month, with back-to-back LDI and AES tradeshows (see our complete AES coverage) and of course, the 12th annual Parnelli Awards. There was a lot going on, but rather than feeling tired, it feels great.
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Over the past three issues of FOH, we have covered many aspects of loudspeaker horn behavior, so a fitting topic to follow this series is a discussion of the behavior of the devices that feed sound from the compression driver diaphragm into the throat of a horn. These devices are typically known as “phase plugs.”
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