SAN ANTONIO — Thomas Dean Williams, 44, died April 5 after falling between 70 and 100 feet, according to local news reports. Williams was working on the venue’s concert lighting rig at the time and fell to the stage, where others were working. No other injuries were reported. The accident happened about 2 am Friday after a Romeo Santos concert took place at the venue Thursday night.
Read More »Just as in real-life, everything in audio seems to revolve around perspectives. For example, you might have the perspective that a new line array, some extra subwoofers or a new console would be an important upgrade to really make a difference in the audio presentation. And you’re probably right. However, your ultimate boss — whether it’s a tour/show promoter, the board of directors at a venue or governing council at a house of worship — may have an entirely different perspective.
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Spoiler alert to Kevin Glendinning: You’re about to find out just how loud that screaming is.
“Right from the beginning, there’s this big reveal, and the crowd just starts screaming,” says Maroon 5’s monitor engineer Glendinning. “I haven’t measured it because I don’t want to know how loud it is.”
“It’s 108 dB of screaming — I’ve measured it,” says FOH engineer Jim Ebdon, in a separate interview.
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The story of Washington DC’s Warner Theatre is one that could be repeated about dozens of theaters around the country that began as classic art deco movie palaces, which in a bygone age, hosted silent films and vaudeville performers. As the years continued, many of these fell to the wayside, yet a fortunate few — like the Warner Theatre — were reborn and restored to reflect their former glory.
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Virtually everything about our pro audio world acknowledges the existence of multiple channels of audio and, most commonly, stereo channels (i.e., left and right). Nearly every piece of audio gear provides both stereo inputs and outputs. At concerts, there are almost always left and right speaker arrays. Essentially almost all music playback material is in stereo. This month, let’s take a look how we localize sound, and how that relates to the traditional use of the stereo configuration. We will consider stereo’s advantages, limitations, and place in the pro sound environment. We’ll also discuss how sound technicians can shape their mix to get the best overall results for the majority of the listening audience.
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You only turn 25 once, and what Riedel Communications did to mark their quarter century in business was a doozy. The party itself took place at their headquarters in Wuppertal, Germany where 1,400 revelers joined in a celebration that included musical performances, high-wire acts, a robot band (playing heavy metal), outdoor whirlpools and a fire show.
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Personal monitor systems allow performers to create their own customized monitor mixes. These have been very popular on stage as well as in the H.O.W.… Read More »Personal Monitor Systems
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It’s been 10 years since PLSN and FRONT of HOUSE first published Bob Higgins’ “Top 40 Rules of the Road.” For those who didn’t frame (or at least laminate) the original Top 40 Rules (July 2003), here’s a second chance. —ed.
Industry veteran Bob Higgins has more than 30 years of experience in the touring industry as a video producer, director, editor, dancer, troublemaker, and problem solver. With the help of contributing minders K. Lipschutz, G. Jones, V. Jarvis, A. Kramer, R. Alvarez, W. Willoughby, and B. Riedling, he’s pieced together the following rules, gleaned from his own early mistakes, mistakes he’s seen along the way (with the shipping records as proof), eyewitness accounts, and road stories too numerous to mention. Please read carefully, you will be tested daily…
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On Feb. 1, Stanford University’s performing arts presenter Stanford Live hosted a concert by the storied Cappella Romana vocal ensemble of Portland, OR. The ensemble’s name — meaning Roman Chapel — refers to the medieval Greek concept of the Roman oikoumene (inhabited world), which embraced Rome and Western Europe, as well as the Byzantine Empire of Constantinople (“New Rome”) and its Slavic commonwealth centered at Moscow. Recognized for its exploration of Eastern Orthodox vocal music, the ensemble’s performance at Stanford University’s Bing Concert Hall — titled Cappella Romana: From Constantinople to California — combined old-world Byzantine chants with the latest innovations in music technology from Stanford’s “Icons of Sound” project (http://iconsofsound.stanford.edu), to recreate the acoustics of Turkey’s legendary Hagia Sophia.
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To prepare for this review, I visited Que Audio’s website and found out some interesting facts about the company and its products. First, Que Audio is owned by the Syncrotech Group, which is an Australian-owned group of professional audio companies that has been operating down under for more 30 years. When I read this info on the Que Audio site, I was quite impressed. Maybe because I happen to love Australia (and not for the shrimp), but also because 30 years is a long time to do anything in Australia, or anywhere else for that matter.
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It’s not often that anything exciting comes along in the realm of bass drum mic mounts, so when I heard about the Kelly SHU™ Microphone Mounting System, I was extremely curious. The Kelly SHU is a semi-permanent suspension mount designed specifically for kick drum mics. It comes in three flavors: the SHU Pro, the SHU Composite and the SHU Flatz. The Pro and Composite will hold just about any kick drum microphone; the Flatz is designed for use with the Shure Beta 91/91A, SM91 or Sennheiser E901 (you must specify which mic when ordering).
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For years, a growing number of studio engineers have turned to using outboard summing boxes that combine the individual outputs of subgroup pairs (stems) from a digital console or digital audio workstation into a single analog stereo output. This same process could easily be done within the DAW or console itself, but the many engineers who heard A/B comparisons between the two methods would often report hearing improved sound quality, with increased levels of spatial detail, channel separation, clarity, punch and definition when these multiple sources were combined using a outboard analog summing mixer.
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