Software Audio Console (SAC)
This is kind of like reviewing a tailor-made suit – I may love it but it may not fit you at all. Or vice-versa. But there has been a lot of talk and interest out there, so I am going to give this a go.
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Sound On Stage Rolls with the Changes
From Huey Lewis to a birthday party for a one year old; from a wedding featuring a rock legend to a 2,000-person corporate party; from a six-stage music festival to celebrating the world champion San Francisco Giants – Sound on Stage has been through it all, and then some.
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A Sh*tty Request
Back in the late 1970s, I was doing semi-permanent house sound at a club in Cleveland, OH. They were pretty eclectic in what they presented, with a few days a month being dedicated to punk. With all the bands that were boiling out of nearby Akron, we got a lot that went on to national level. Well, one night we were headlining the Dead Boys.
Read More »Pro Audio, Meet NAMM
Jane Kaczmarek, the actress, said, "Awards shows are my greatest inducement to get back into shape." Awards shows are as much about looking good as doing well in the estimation of your peers, but they also are a reflection of the industries they celebrate. So it was meaningful when, last January, the TEC Awards program, which had been a fixture at the AES Show since its inception 26 years ago, moved instead to the Winter NAMM Show.
Read More »How Long Is It?
About a month ago, I worked on a show in a ballroom that measured about 300 feet by 200 feet. The mix position was placed at the back of the room. Our system was fairly large and included an AVID Venue digital console with a digital snake, which was a beautiful thing, considering that the length of the snake tapped out at over 400 feet.
Read More »Keeping Your Gear Fit
In January, I went to the Winter NAMM show, and I was very impressed with what I heard and saw. There were a lot of new products that seemed to be more methodically designed. What I mean is, more thought as to what the end users' needs and purposes are. It seemed like research and development had improved, and the quality of construction seemed better.
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It’s Prod Man!
Everyone I know is a production manager and, most likely, if you are reading this column, you're a production manager as well. Apparently it is a prerequisite for anyone in our line of work to have a business card that not only announces a technical bent but also alerts the world to the fact that the bearer of the card is also a production manager.
Read More »In Memoriam: Owsley “Bear” Stanley, 76
Owsley "Bear" Stanley, longtime sound engineer for The Grateful Dead, died from injuries sustained in an auto accident March 13 in Canberra, Australia. He was 76. Known as an early developer of LSD and also for the creation of the Grateful Dead's dancing bear icons, Stanley is also credited with audio innovations including the "Wall of Sound" used at Grateful Dead concerts in 1974, a precursor to line arrays.
Read More »AVnu Alliance Holds Fifth AVB Plugfest
SALT LAKE CITY – The AVnu Alliance held an AVB plugfest recently at Harman Professional's Signal Processing Group in Salt Lake City. Harman and five other manufactures participated in the plugfest, giving engineers from the different companies a hands-on opportunity to test connectivity, interoperability and interfaces.
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Wedding Reception in India Features Acrobats, Video and Audio Support Including TiMax SoundHub-S
DELHI – For a society wedding with 2,000 guests, the entertainment included Canada's Cirque Eloize acrobatic show with surround sound enhancement provided by a TiMax SoundHub-S. The spectacle included synchronized animated audio and video on the dance floor.
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Lady Antebellum Using Sennheiser e935 Capsule, G3 Wireless System
NASHVILLE, TN – In 2009, Lady Antebellum earned a Grammy Award for Best New Artist; this year, they picked up Best Album of the Year. For two years, the still-relatively "new" band has had a relentless performing and touring schedule, with an assist from Sennheiser 935 capsules on all of the stage vocals, as specified by FOH engineer Brett "Scoop" Blanden.
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Indonesian Church Equipped with L-Acoustics K1/KARA System
From left, Cedric Montrezor, L-Acoustics; Yudi Santoso, FOH engineer; Canessa Christian Lawanto, music director; Yusof Ahmad, Sennheiser Asia; Jonathan Benaya Etanto, monitor engineer; and Germain Simon, L-Acoustics
SURABAYA, Indonesia – The Evangelist Graha Bethany Nginden Church has been equipped with an L-Acoustics K1/KARA WST line source system provided by L-Acoustics' distributor in South East Asia, Sennheiser Electronic Asia, and Tri Tunggal Abadi.
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