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Graduation Season

Graduation Season

My good friend, Professor Ken Lopez, often asks me to appear as a guest lecturer for his classes at the University of Southern California Thornton School of Music. In his music production classes, Ken and I customarily discuss career path vectors, both in my specific case and for employment in the music business in general.

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Screen capture from the algorithm-based mixing software developed at London's Center for Digital Mixing

The Mixing Algorithm

The recent crash of a German airliner — a disaster brought about, apparently, by the willful act of one of its pilots — triggered a predictable discussion about the role that automation might play in avoiding such catastrophes in the future. But it also underscores just how much robotic automation — i.e., machines that can adaptively reconfigure their actions to changing circumstances — we already have in our daily lives.

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Figure 1: Spectragraph analyzer screenshot from Metric Halo Labs' Spectra-Foo Complete X. Note the high-frequent response appears to be rolled off, but in fact, the HF content of the mix is quite present

Spectrum Analysis and Your Mix

Once upon a time on these very pages, we discussed the procedure and benefits of using Real Time Analysis (RTA) as a tool for revealing problems in a live sound system. RTA or spectrum analysis can help expose room anomalies, problems with a P.A. or to help ring out monitor mixes (“Interpreting RTA Measurement Techniques,” March 2013, and “Ten Tips for Better Monitor Mixes,” Jan. 2014).

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Audio Staff: Paid Versus Unpaid

In the past decade, houses of worship have undergone a transformation. Production values have gone through the roof. An entire sub-industry has popped up to service the house of worship production market. Visit any industry trade show — whether NAB or this month’s InfoComm — and you’ll see entire segments of the show floor (or seminars) devoted to house of worship production.

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Illustration (c) Andy Au

Politics and Money

Well folks, as of this writing, it is once again the time of season. The trucks are loaded. the buses are rolling and the tours are well underway with audio rigs small and large flying off the shelves and onto trusses everywhere. Engineers are back in the groove with full time work, and sheds and venues around the world are filling up with fans willing to spend their hard-earned cash to see and hear their favorite bands overwhelm them with hit tunes played through some of the best sound systems money can buy.

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Hometown Hero Nominations for 2015 Parnelli Honors Now Underway

Hometown Hero Nominations for 2015 Parnelli Honors Now Underway

LAS VEGAS — Each year, FRONT of HOUSE honors regional sound companies with our Hometown Hero awards. These awards honor the best small companies in six regions across North America: the Northeast, Southeast, Midwest, Northwest, Southwest and Canada. FOH readers — the people who actually work with these companies — get to decide who’s really the best.

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George Relles with the SSL Live. L500 Console at the Hult Center (c) George Relles

Relles Sound Adds SSL LIVE to its Inventory

EUGENE, OR – Celebrating 40 years in the business, Relles Sound, Inc. has purchased an SSL Live. L500, used most recently for the Eugene Ballet Company’s Tommy the Ballet, featuring music from The Who’s classic rock-opera Tommy and original choreography from Artistic Director Toni Pimble.

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