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Sound Engineer Robert Biom Opts for Allen & Heath dLive System for Leonid Agutin Tour

Sound designer Mick Potter uses Constellation’s acoustical effects throughout the show

Meyer Sound Constellation Enhances Andrew Lloyd Webber’s ‘Love Never Dies’ in Germany

HAMBURG, Germany — A permanently installed Meyer Sound Constellation acoustic system at Hamburg’s Stage Operettenhaus is currently supporting Love Never Dies (German: Liebe Stirbt Nie), the musical sequel to the long-running The Phantom of the Opera. Lloyd Webber’s longtime sound designer Mick Potter uses Constellation’s acoustical effects throughout the show to optimize the aural experience for the audience.

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DeoxIT D5 Spray

Caig 60th Anniversary DeoxIT D5 Spray

POWAY, CA — As part of its 60th anniversary, Caig Laboratories is now shipping a new version of its popular DeoxIT D5 Spray (Part No. D5S-6P), equipped with a innovative, new Perfect-Straw™ applicator. The new design has a permanently attached tube that swivels into place for a concentrated directional flow, yet easily swings back to allow a wide-angle spray.

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Bill Hanley

Bill Hanley: The Father of Festival Sound

Editor’s Note: While not exactly a household name, Bill Hanley (seen here in a recent photo) made an indelible impact on the development and advancement of modern live sound systems. He’s often referred to as the “Father of Festival Sound,” and there has been growing interest to encourage the Rock and Roll Hall of Fame Foundation to induct Mr. Hanley. Longtime readers of FRONT of HOUSE may recall a decade ago, when he was selected for the 2006 Audio Innovator Award at the Parnelli Awards. Hanley is certainly deserving of that, but we also felt this would be an appropriate time to not only revisit his historic career, but also allow researcher John Kane a platform to expand his efforts to further honor the work of Bill Hanley. —George Petersen

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Fig. 1: Wood veneers are laid up in a series of alternating perpendicular layers to form the familiar end grain look of plywood.

Plying the Trade: Composite Wood Products for Pro Sound Applications

This month, we are going to talk about plywood. Plywood is everywhere in professional audio. It is used in trailers and ramps, speaker boxes and cases, stands and stages. Even though plywood is ubiquitous, we rarely pay it much mind. At least if you ignore the constant complaints about how heavy it is. Plywood is a versatile material, and an excellent introduction to a class of substances known as composites. The behavior of plywood is a good example to delve into in terms of thinking about some of the properties of materials in general. This month, our aim is to uncover some of that in a way that shows why plywood is preferred to solid wood for many structural applications.

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Martin Audio CDD LIVE

Martin Audio CDD LIVE! Powered Portable Loudspeakers

At last year’s InfoComm show in Orlando, I had an opportunity to hear Martin Audio demo its CDD Series coaxial loudspeakers — which ranged from the micro (five-inch) CDD5 to the powerful CDD15 — all combining distinctive curved enclosures with Coaxial Differential Dispersion technology intended to deliver high performance and consistent coverage to the install market.

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