Bryan Reesman meets up again with sound designer Jonathan Deans to discuss this Broadway production with a big cast and 10 musicians on stage. Deans talks about tracking the musicians as they move about the stage.
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David K. Kennedy continues his focus on the history of loudspeakers, zeroing in on a particularly fertile era for loudspeaker advances — the 1970s.
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Steve Savanyu checks out what’s available in this market segment. When combined with subs, they can serve as a compact yet high-SPL solution for clubs, theaters, houses of worship, sports facilities and outdoor events.
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Designed for kick, snare/toms and guitar amps, Shure’s new Nexadyne instrument mics feature Revonic dual-capsule technology. Steve Savanyu puts them to the test.
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Systems engineer Samantha Boone interviews Natalie “Nat” Houle, sound designer and creator of a freely accesible website devoted to object-based spatial audio, nmhspatial.com. They discuss spatial audio trends and where the technology is going.
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With IEMs, stage volumes are much quieter than the cacophonous, wedge-filled days of yesteryear. Now more than ever, front fills can enhance the listening experience of those seated closest to the stage.
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There are plenty of buildings that are under-utilized on Sunday mornings, and with newer, lighter and more versatile audio systems, it’s becoming easier to make dreams of mobile church services a reality.
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The widespread return of these import taxes has raised concerns in the audio industry, not only about rising costs but about the supply chain as well. Baker Lee takes a closer look.
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DUNDALK, Ireland – FOH engineer Marc Carolan has been scaling down his analog outboard gear this year in favor of digital while on tour with Snow Patrol using Fourier Audio’s transform.engine. The band performed a string of North American dates in March and April and will head to Europe for more shows in June and July.
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