Electric Guitar Amplifier Miking
Since the dawn of time, engineers have struggled with the task of getting good guitar sounds on stage. One of the big issues is stage volume: the musician cranks it up to get “their sound” while the engineer and audience get blasted with ear-crushing levels from the stage. Inevitably, the PA has to be cranked up to overcome the stage volume. Let’s assume, for the moment, that the musicians you work with have their stage volume under control (whether it be via volume knob, moving cabinets off-stage, or threats of violence) so that you can actually hear the guitar through the PA and create a mix. There are some tried-and-true methods you can use to get great guitar tones.
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