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Shell Theatre near Edmonton, AB Canada Using Soundcraft Vi6

Norah Seed, the in-house audio operator for Shell Theatre, has been using the venue's recently-acquired Soundcraft Vi6 digital console to mix live audio for performances at the 538-seat performing arts space

Shell Theatre near Edmonton, AB Canada Using Soundcraft Vi6

FORT SASKATCHEWAN, Alberta, Canada – Norah Seed, the in-house audio operator for Shell Theatre, has been using the venue’s recently-acquired Soundcraft Vi6 digital console to mix live audio for performances at the 538-seat performing arts space including dance recitals, musicals and Christmas productions. The Shell Theatre also produces its own Season Series including local and international acts.

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Kylie Minogue European Tour Setup Included Eighth Day Sound-Supplied Mics

Kylie Minogue European Tour Setup Included Eighth Day Sound-Supplied Mics

ZURICH, Switzerland — Kylie Minogue has been touring Europe this autumn before heading back to her native Australia. Eighth Day Sound has been providing audio support for the tour. The microphone package includes Sennheiser SKM 5200 mics with MD 5235 capsules and EM 3732-II receivers, with monitoring via Sennheiser SR 2050 IEM transmitters and EK 2000 IEM belt packs.

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Long Island Bands Go Digital With Soundcraft Si Expression 1

Long Island Band Leader Goes Digital with Soundcraft Si Expression 1

PATCHOGUE, NY — Steve Jaworowski, pictured here, recently acquired a Soundcraft Si Expression 1 digital console for his classic rock band Vavoom and Tom Petty & The Heartbreakers tribute band Breakdown, both of which play in nightclubs and pubs throughout Long Island. Of his first Soundcraft console, Jaworowski says the console, his first from Soundcraft, has fit his budget and exceeded his expectations. He credits the move to the digital side for lightening the load the bands faced while traveling with analog consoles and related gear.

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Story Sound provided JBL VRX and Crown amps for the Emporium music festival earlier this year.

Story Sound Making Good Use of JBL VTX and Crown Amps

ALPHEN, The Netherlands – Dutch audio rental provider Story Sound has been making good use of the JBL VTX line arrays and Crown I-Tech HD amplifiers in its inventory. Along with big summer festivals like Dreamfields and Emporium (pictured here), where Story Sound deployed 160 V25 tops and 122 S28 subs, the soundco has been using the gear to support events including the Four Day Marches [Vierdaagsefeesten] in Nijmegen and smaller gatherings as well.

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Sven Pro Sound Upgrades Audio System and Eastbrook Church with d&b audiotechnik Gear. Pictured here, a look at the main worship hall.

Sven Pro Sound Upgrades Audio System at Milwaukee Church with d&b audiotechnik Gear

MILWAUKEE, WI — Sven Pro Sound (SPS) recently completed a major audio upgrade at Eastbrook Church. Four different small to large venues within the church were upgraded with a wide variety of products. The largest venue upgraded was the church’s main worship hall. SPS designed a dynamic sound system that included d&b audiotechnik’s Q-series speakers and D12 amplifiers. SPS also made use of d&b’s ArrayCalc modeling program.

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Biamp Systems Brings Digital Audio to Courtrooms Across Colorado

BEAVERTON, OR  — Biamp Systems, a leading provider of innovative, networked media systems, announced that the Judiciary of Colorado has selected the company’s Audia® and Nexia® digital signal processing (DSP) platforms to provide distributed audio across the state’s courtroom facilities. Installed within the Ralph L. Carr Judicial Center and more than 100 courtrooms throughout the state, the professional audio solutions improve the intelligibility of in-court proceedings while enabling new capabilities for networked audio technology.

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Adamson Expands With New Canadian Sales Reps

TORONTO – Adamson Systems has announced the appointment of BG Media Solutions and MM Technologies as sales representatives for the Ontario and Quebec, Canada territories respectively. Ontario’s BG Media Solutions was founded in 2007 by Bryan Guidolin with a focus on representation of commercial and professional premium audio brands.

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George Petersen

What’s Wrong with Live?

This is supposed to be the season of hope and good cheer, but I’m troubled about certain events related to our industry stemming from NBC’s December 3rd live broadcast “Christmas in Rockefeller Center.” Sure, there are far more pressing developments in the news, ranging from freaky weather to racial tensions to the general state of the world. However, as live entertainment is our world, it bears discussion, as this could have some serious ramifications about the future of live performance.

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FOH magazine Buyers Guide, Dec. 2014, Portable Systems

Portable Systems

Call it what you want — speaker on a stick, or whatever — but portable systems, with their fast, easy setups are the bread and butter of our industry and, combined with a sub or two, can offer impressive performance in smaller venues.

To download a PDF of the FOH Dec. 2014 Buyers Guide, CLICK HERE.

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FOH engineer Dan Heins

Garth Brooks is Back

When F. Scott Fitzgerald famously wrote that there are no second acts in American lives, Garth Brooks wasn’t around to refute that assertion. After officially “retiring” from recording and performing in 2001 — with periodic, strategic breaks to drop a few new singles and one-off shows — he came part of the way back in 2009 with a five-year performance-in-residence at the Encore Hotel and Casino in Las Vegas. Now, with a new deal with Sony Music Nashville and the release of his catalog in digital — something he resisted doing for years — Brooks embarked on a three-year-long world tour in September.

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Crew, left to right: 5FDP FOH Bruce Reiter, Volbeat FOH Mads Mikkelsen, James Oliver from Adamson Systems and system tech Cameron Whaley strike a pose before showtime

Five Finger Death Punch

Global rock heavyweights Five Finger Death Punch (5FDP) quickly rose to fame after the release of their first Album The Way of the Fist in 2007. Since then, 5FDP has sold more than 2.6 million albums in the U.S. and a new single, “Wrong Side Of Heaven” (on the plight of veterans suffering PTSD) has racked up more than 10 million plays on YouTube since Aug. 11.

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SMAART magnitude measurement screen from an actual tuning process. Image shows averages over multiple measurement points. Turquoise trace is before tops only; olive is after tops only; magenta is after including subs with the olive trace; the red trace at the top indicates coherence.

Making the Leap: The Realities of Room Tuning

Perhaps you are the owner of a regional production company, the sound guy for your band, or the production manager for a venue. Over the years you have purchased better microphones, switched from an analog console to a digital console, added a DSP to your system and maybe even moved to self-powered loudspeakers. Every once in a while, you’ve had a band mixer or system tech show up with SMAART, or Systune, or SpectraFoo to “tune your system.” Sometimes the results have been impressive, other times, not so much. Either way you see that said sound person has well over $1,000 invested in software, computers, microphones and interfaces to enable them to do whatever they’re doing, and you decided it is not worth the money for your business, band or venue.

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