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Delaware State University Commencement

InfoComm 2016 show floor

Show Report: InfoComm 2016

Perhaps it was this year’s return to the Las Vegas location or perhaps a burst of election year optimism, but the 2016 InfoComm expo was an absolute success on every level. One clear indicator was the record-setting 1,000 exhibitors — including 211 new exhibitors — that filled some 527,105 net square feet of exhibit and special events space the at Las Vegas Convention Center from June 8 to 10.

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George Petersen, Editor of FOH Magazine

Survival Tips for Your Next Gig

Last month, I was chatting with FRONT of HOUSE columnist Steve LaCerra. I’ve known and worked with him for nearly 30 years, and he has an amazing sense of putting a sometimes-technical topic into a form that’s easy to understand. When not writing for us, he manages to stay out of trouble (i.e., keeping himself busy) by doing the three-hands-full job as the tour manager and FOH mixer for Blue Öyster Cult.

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FOH engineer Robert Scovill (left) and systems engineer Andrew Dowling. Photo by Steve Jennings

Mudcrutch Crushes It On the Road

Tom Petty’s Return to Smaller Venues Offers Challenges, Rewards

Embracing the bar band mentality of his 1970s band, Mudcrutch, Tom Petty brought his Heartbreakers’ audio team along for the Mudcrutch tour this summer. “Mutchcrutch, and Tom Petty & The Heartbreakers, are two different things,” monitor engineer Greg Looper explains. “Tom put it best: The Heartbreakers are like a Ferrari, a finely tuned machine built for speed and performance. Mudcrutch is like an old pickup truck, fun to cruise around in once in a while.”

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The rains came, but the fireworks (and the musical presentation) went on as planned. Photo by Penny Adams

Let Freedom Sing

Nashville’s July 4th Event is one of the Nation’s Largest and Loudest

Apologies to the wingding producers at Macy’s and in the nation’s capital, but Nashville is pretty sure they had the biggest, baddest July 4 fireworks display in the country. They certainly have the best sounding. Now it its 12th year, “Let Freedom Sing” had the fireworks and the music to back up both assertions: more than 16 tons of explosives and 100 miles of ignition wire managed by a team of a dozen pyro technicians that took eight days to set up.

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Washington DC was among the cities that organized vigils in support of the victims of the 2016 Orlando nightclub shooting. Photo by Ted Eytan

One is Too Many: The Event Safety Alliance Response to Orlando

Ourr hearts are heavy with the news of the recent attack at the Pulse Nightclub in Orlando. While undeniably event-related, this is above all a human tragedy that touches everyone, regardless of industry. As we struggle to make sense of what occurred, let us grieve those who lost their lives and foster a love that can overcome senseless acts of violence such as this. Although much remains uncertain about the horrific incidents in Orlando on both Friday night [the June 10 murder of The Voice vocalist Christina Grimmie] and early Sunday morning [the June 12 Pulse nightclub attack], we believe that enough is known for us to offer the following truths, which we believe are important to say because they appear not to be self-evident.

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Mississippi State University’s Bennie Ashford (white shirt) and Jonathan Ashley at the DiGiCo S21 console in Davis Wade Stadium’s new production facility.

DiGio S21 Console is Audio Hub at Mississippi State

STARKSVILLE, MS – Mississippi State’s new production facility and its two video control rooms will handle all of the school’s sports audio needs through a newly installed DiGiCo S21console. This includes broadcast sound for SEC Network shows, intercom audio for operations, foldback audio for on-air talent and live sound inside the venue. Atlanta-based AV systems integrator Comprehensive Technical Group (CTG) installed the console in the new facility within Davis Wade Stadium.

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