Chris Cronin Takes On Sweeney Todd
It is actually surprising that the revival of Stephen Sondheim's classical musical Sweeney Todd, which stars Michael Cerveris and Patti LuPone, was nominated for this year's Tony Award for Best Revival of a Musical and won for Best Direction of a Musical for John Doyle and Best Orchestrations, done by Sarah Travis. It's not because the show is brooding and sinister, although that could be considered. After all, it tells the tale of a man who seeks revenge on the judge who unfairly imprisoned him, resulting in a bloody path of retribution via a barbershop that also leads to a reinvention of the idea of "mystery meat," thanks to a pie-making accomplice. But this unorthodox production, which features ten actors who also sing and play instruments and who often do not face each other during conversations, is unusually abstract for the Great White Way. The fact that it won two Tonys is an artistic triumph, and the fact that it continues to do well months after it opened is a testament to an audience that wants to see something dark, unusual and completely different than a huge production with lots of glitzy musical numbers.
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